bookmark_borderPetro-Masculinity

[Silence]
[Instrumental Intro: snarling electric guitar, rumbling bass, stomping drums, exaggerated macho-rock riff, harmonica, juice harp, fiddle]

[Intro]
Big truck
(Dumb fu, fu, luck)

[Verse 1]
Big truck
(Big smoke)
Big voice
(Big joke)

Rollin’ coal
(Black cloud)
Make it loud
(Make us proud?)

Gasoline
(So cheap)
Burn it deep
(Never sleep)

Chrome and steel
(That’s the deal)
Manly wheels
(How ya feel?)

[Pre-Chorus]
It’s more than fuel
(More than a ride)
It’s an identity
(You wear it with pride)

Don’t touch my truck
(Don’t touch my way)
Don’t tell me
(How I should play)

Big truck
(Dumb fu, fu, buck)

Shout it out:
Big truck!
(Dumb fu, fu, bluck)

[Instrumental, Banjo Solo, Harmonica, Fiddle]

[Refrain]
Petro-Masculinity
(Testosterone insanity)
Blowin’ smoke
(Up yer ass)
Noose tied rope
(“Do not pass”)

Petro-Masculinity
(Ego boasting vanity)
Petro-Masculinity
(Missing simple humanity)
Petro-Masculinity
(Promoting the calamity)

[Verse 2]
Breadwinner
(That’s the role)
Worker
(With no soul)

Factory town
(Shut it down?)
What went wrong?
(Look around?)

Suburban dream
(Gasoline)
Big machine
(Mean machine)

Drive alone
(Own the road)
Pay the toll
(Carry the load)
Big truck
(Dumb fu, fu, buck)

Shout it out:
Big truck!
(Dumb fu, fu, bluck)

[Refrain]
Petro-Masculinity
(Testosterone insanity)
Blowin’ smoke
(Up yer ass)
Noose tied rope
(“Do not pass”)

Petro-Masculinity
(Ego boasting vanity)
Petro-Masculinity
(Missing simple humanity)
Petro-Masculinity
(Promoting the calamity)

[Verse 4]
Rolling coal
(Here we go!)
Smoke the road
(Watch it blow!)

“I don’t care!”
(See me burn!)
“I won’t change!”
(I can’t learn!)

A cloud of diesel
(Up in the air)
A cloud of meaning
(Totally unaware)

[Bridge]
Big truck
(Dumb fu, fu, schmuck)

Shout it out:
Big truck!
(Dumb fu, fu, schmuck)

[Break]
Blow it out!
(BLOW IT OUT!)

Burn it up!
(BURN IT UP!)

Make it loud!
(MAKE IT LOUD!)

What’s that cloud?

[Silence]

Big truck
(Dumb fu, fu, schmuck)

Shout it out:
Big truck!
(Dumb fu, fu, schmuck)

[Refrain]
Petro-Masculinity
(Testosterone insanity)
Blowin’ smoke
(Up yer ass)
Noose tied rope
(“Do not pass”)

[Final Bridge]
Fuel becomes freedom
(Freedom becomes pride)
Pride becomes anger
(When challenged from outside)

And anger becomes politics
(Politics becomes power)
Power protects the system
(Hour after hour)

[Final Refrain]
Petro-Masculinity
(Testosterone insanity)
Blowin’ smoke
(Up yer ass)
Noose tied rope
(“Do not pass”)

Petro-Masculinity
(Ego boasting vanity)
Petro-Masculinity
(Missing simple humanity)
Petro-Masculinity
(Promoting the calamity)

Petro-Masculinity
(What does freedom mean?)
Petro-Masculinity
(What does strength redeem?)

Petro-Masculinity
(The cultural engine)

[Outro]
Big truck
(Big smoke)

Big ego
(Big joke)

Rollin’ coal
(Missed school)

[Fade out]
Petro-Masculinity
(Ego boasting vanity)
Petro-Masculinity
(Missing simple humanity)
Petro-Masculinity
(Promoting the calamity)

Big truck
(Dumb fu, fu, stuck)

Shout it out:
Big truck!
(Dumb fu, fu… yuck)

[Instrumental Outro: guitar feedback, diesel-like bass rumble, drums gradually slowing into a single heartbeat]

[Fade out]

[End]

[Silence]

About the Song
Petro-Masculinity: The Cultural Engine

A related concept helps explain the cultural dimension of fossil-fuel politics: petro-masculinity.

Political scientist Cara Daggett introduced the term in her 2018 paper Petro-Masculinity: Fossil Fuels and Authoritarian Desire. Daggett argues that fossil-fuel systems can become connected not only to economic interests but also to identity, masculinity, authority, and resistance to social change.

The central idea is that fossil fuels can represent more than energy.

They can represent:
independence
personal freedom
economic security
traditional gender roles
national power
resistance to perceived cultural change

Fossil-fuel identity
During the twentieth century, American masculinity became closely associated with breadwinning, industrial employment, suburban development, automobile ownership, and inexpensive gasoline.

As a result, challenges to fossil-fuel consumption can sometimes be interpreted culturally rather than simply economically.

An electric vehicle, public transportation, reduced meat consumption, or restrictions on fossil-fuel use can be portrayed not merely as policy choices but as attacks on traditional identity.

This helps explain the cultural significance of behaviors such as “rolling coal,” in which modified diesel vehicles deliberately produce large quantities of exhaust smoke. The behavior can function as a form of political or cultural expression rather than transportation alone.
Petro-masculinity and authoritarianism

Daggett’s framework connects fossil-fuel dependence with authoritarian desire, particularly where climate action is interpreted as a threat to established gender roles, economic autonomy, or social status.

The connection to fossil fascism can therefore be understood at two levels:
Petro-masculinity is the cultural and identity dimension.
Fossil fascism is the political and institutional dimension.

The former can help create emotional resistance to changes in the energy system; the latter describes political structures and movements that defend fossil-fuel power.

From the album “Present Tense“

bookmark_borderFossil Fascism

[Silence]
[Instrumental Intro: distorted blues guitar, pounding toms, industrial bass, distant marching rhythm]

[Intro]
Hut, 2, 3, 4
(Tell that lie once more)
Hut, 2, 3, 4
(Throw a stone then shut the door)
Once more…
(Hut, 2, 3, 4)

[Verse 1]
Black smoke rising
(From the ground)
Power building
(All around)

Dig it deeper
(Pump it out)
Don’t ask questions
(Don’t you doubt)

[Pre-Chorus]
Mentally ill
(Drill, baby, drill)
Rotten soul
(Gonna take a toll)

[Refrain]
Fossil fascism
(Drivin’ the schism)

Blood and soil
(Souls you’ll spoil)
Black fuel
(Fossil fool)

Imperialism
(Colonialism)
Authoritarian politicians
(White nationalism)
Racialized Division

Fossil fascism
(Drivin’ the schism)

[Verse 2]
It’s not simply
(What’s in the tank)
It’s the system
(And the rank)

Who controls it?
(Who gets paid?)
Who decides
(What plans are made?)

Energy becomes
(Identity)
Fuel becomes
(Sovereignty)

“Drill it deeper!”
(Drill it more!)
“Keep the old ways!”
(That’s the score!)

Anyone who
(Questions why)
Is obviously…
(Enemy!)

[Verse 3]
Fossil capital
(Needs protection)
Build a fortress
(Against correction)

Change the law
(Change the rules)
Call the critics
(Climate fools)

Block the movement
(Shut it down)
Keep the carbon
(In the ground?)

[Refrain]
Fossil fascism
(Drivin’ the schism)

Blood and soil
(Souls you’ll spoil)
Black fuel
(Fossil fool)

Imperialism
(Colonialism)
Authoritarian politicians
(White nationalism)
Racialized Division

Fossil fascism
(Drivin’ the schism)

[Bridge]
Mentally ill
(Drill, baby, drill)
Rotten soul
(Gonna take a toll)

Fear!
(Power!)

Identity!
(Scour the “our”!)

[Break]
Mentally ill
(Drill, baby, drill)
Rotten soul
(Gonna take a toll)

[Refrain]
Fossil fascism
(Drivin’ the schism)

Blood and soil
(Souls you’ll spoil)
Black fuel
(Fossil fool)

Imperialism
(Colonialism)
Authoritarian politicians
(White nationalism)
Racialized Division

Fossil fascism
(Drivin’ the schism)

[Final Refrain]
Fossil fascism
(Drivin’ the schism)

Blood and soil
(Souls you’ll spoil)
Black fuel
(Fossil fool)

Imperialism
(Colonialism)
Authoritarian politicians
(White nationalism)
Racialized Division

Fossil fascism
(Drivin’ the schism)

Fossil fascism
(Protectin’ the system)

Black fuel
(Political tool)

Fossil fascism
(Drivin’ the schism)

[Outro]
Pump it up
(Guard the gate)

Burn it down
(Seal our fate)

Mentally ill
(Drill, baby, drill)
Rotten soul
(Gonna take a toll)

[Instrumental Outro: industrial guitar riff dissolving into feedback, marching drums gradually falling apart]

[Silence]

[End]

About the Song
Fossil Fascism: Protecting Fossil Capital

Fossil fascism is related to, but distinct from, ecofascism.

The term has been used by scholars studying the intersection of fossil-fuel dependence, authoritarian politics, nationalism, racism, and opposition to climate action. Recent scholarship defines fossil fascism as a political, legal, and cultural system centered on an ultra-nationalist defense of fossil-fuel extraction while suppressing opposition to it.

In simplified terms:

Ecofascism accepts ecological crisis but blames the “outsider.”

Fossil fascism protects the fossil-fuel system and attacks those who seek to change it.
From “Blood and Soil” to “Black Fuel”

The historical roots of ecofascist thought are often connected to European romantic nationalism and the “Blood and Soil” tradition, in which land, national identity, and racial identity became intertwined.

Fossil fascism has a different historical lineage.

Political scientist Cara Daggett and other scholars have used the concept to examine the relationship between fossil fuels, authoritarian politics, nationalism, and racialized power. Andreas Malm and the Zetkin Collective further developed the concept in White Skin, Black Fuel, connecting fossil-fuel development to the history of European imperialism, colonialism, and racial hierarchy.

The underlying argument is that fossil fuels are not simply an energy source. They can also become embedded in political institutions, economic power, national identity, and cultural ideas about social hierarchy.

From the album “Present Tense“

bookmark_borderScapegoat

[Silence]
[Instrumental Intro: ominous guitar, marching drums, distant ship’s bell]

[Verse 1]
Ridin’ down the road
(He’s ridin’ his scapegoat)
Looking to blame
(Offload his shame)

Too many people
(Too many mouths)
Too many strangers
(From the south)

Point at the stranger
(Point and accuse)
Pick out an enemy
(Somebody to lose)

[Refrain]
Road in to town
(Ridin’ his scapegoat)
Deny what’s goin’ down
(Livin’ life cutthroat)

The Titanic Band
(Playin’ lifeboat ethics)
Man’s damned demand
(Is not joyful music)

Who gets to survive
(Arrive alive)
After what you’ve said
(We’ll all be dead)

[Verse 2]
“Overpopulation!”
(That’s the refrain)
“Too many people!”
(Again and again)

But who consumes
(And who consumes more?)
Who burns the fuel
(And who owns the store?)

[Refrain]
Road in to town
(Ridin’ his scapegoat)
Deny what’s goin’ down
(Livin’ life cutthroat)

The Titanic Band
(Playin’ lifeboat ethics)
Man’s damned demand
(Is not joyful music)

Who gets to survive
(Arrive alive)
After what you’ve said
(We’ll all be dead)

[Bridge]
This is the transformation
(Watch the meaning change)
Man’s devolution

From:
“What can we do?”
(To:)
“I’m blaming you”

[Break]
Scapegoat!
(Scape-goat!)

Ride it down
(Ride it out)

Shout it out!
(Scape-goat!)

What are you thinking…
(The ship is sinking)

[Final Refrain]
Road in to town
(Ridin’ his scapegoat)
Deny what’s goin’ down
(Livin’ life cutthroat)

The Titanic Band
(Playin’ lifeboat ethics)
Man’s damned demand
(Is not joyful music)

[Outro]
Who gets to survive
(Arrive alive)
After what you’ve said
(We’re all going to be dead)

Who gets to survive
(Who gets to thrive)

[Fade out]
Who gets to survive?

[Silence]

[End]

About the Song
Ecofascism: Climate Change as a Scapegoating Narrative

Ecofascism represents a fundamentally different approach.

Rather than denying climate change, ecofascist narratives accept environmental collapse but attribute it to supposedly undesirable populations—particularly immigrants, refugees, or people in the Global South.
The “overpopulation” narrative

One recurring theme is the claim that environmental degradation is primarily caused by population growth among poorer or non-white populations.

This can obscure the enormous differences in consumption and greenhouse-gas emissions between populations. High-income populations have historically produced far greater per-capita emissions than the world’s poorest populations.

The political transformation occurs when legitimate concerns about ecological limits are converted into arguments about which people supposedly deserve access to resources.

Blaming immigrants for environmental degradation
A related narrative links immigration directly to pollution, resource depletion, or greenhouse-gas emissions.

This is sometimes described as eco-bordering: using environmental concerns to justify more restrictive borders.

The danger of this framing is not the discussion of the environmental consequences of population growth or migration itself. Those are legitimate subjects for analysis. The problem arises when immigrants are treated as the primary ecological threat while the much larger effects of industrial energy systems, fossil-fuel consumption, land use, and unequal resource consumption are displaced from the discussion.
“Lifeboat ethics”

At its most extreme, ecofascist thinking adopts a form of “lifeboat ethics”: the assumption that resources are becoming so scarce that societies must protect their own populations by excluding outsiders.

Climate disasters can intensify this mentality. As droughts, floods, heat waves, sea-level rise, and food insecurity increase displacement, refugees can be portrayed not as people affected by climate change but as the cause of further environmental decline.

In its most extreme forms, this worldview has intersected with white-supremacist and accelerationist movements. Researchers have documented cases in which perpetrators of mass violence invoked “Great Replacement” ideas alongside environmental or resource-based fears.

The resulting political question changes from:

How do we respond to climate change?
to:
Who gets to survive climate change?

That is a profound shift in the political meaning of climate change.

From the album “Present Tense“

bookmark_borderDenial and Delay

[Silence]
[Instrumental Intro: electric piano, dark psychedelic acoustic guitar, pulsing bass, distant feedback]

[Verse 1]
First they say
(It isn’t real)
Nothing here
(That you can feel)

Just a cycle
(Just the weather)
Nothing’s changing
(Not together)

[Refrain]
Denial and delay
(Can’t last another day)
The cost too high to pay
(Denial and delay)

… just go away

[Verse 2]
Then the story
(Starts to change)
Now that warming
(Isn’t strange)

[Refrain]
Denial and delay
(Can’t last another day)
The cost too high to pay
(Denial and delay)

… just go away

[Instrumental, Acoustic Guitar and Electric Piano Jam]

[Bridge]
Is it denial?
(Is it delay?)
Is it doubt?
(Or a way?)

What uncertainty
(Do we stress?)
What consequences
(Do we suppress?)

[Refrain]
Denial and delay
(Can’t last another day)
The cost too high to pay
(Denial and delay)

… just go away

[Break]
Go away
(You can’t sway)
Denial
(Go away)
… you can’t stay

[Outro]
Denial and delay
(Can’t last another day)
The cost too high to pay
(Denial and delay)

You can look away
(But it won’t go away)
You can say
(Just go away)

But the world won’t
(Go away)

[Outro]
Denial and delay
(Can’t last another day)
The cost too high to pay
(Denial and delay)

… just go away

[Instrumental Outro: distorted guitar, pulsing bass, feedback fading into silence]

[Fade out]
[Silence]
[End]

About the Song
Climate Denial and Climate Delay

The most familiar form of climate misinformation is outright denial: rejecting the existence, severity, or human cause of climate change.

Political rhetoric has also attacked renewable energy through claims that wind turbines, solar power, or other clean-energy technologies are inherently dangerous or economically destructive. Some of these claims have been challenged by scientific evidence, while others involve legitimate questions about environmental impacts that require quantitative comparison rather than political rhetoric.

As public acceptance of climate change has increased, however, the political emphasis has increasingly shifted from denying the problem to opposing proposed solutions. Researchers commonly describe this strategy as climate delay.

The basic argument changes from:

“Climate change isn’t happening.”

to:

“Climate change may be happening, but addressing it will cause even greater economic or social damage.”

This framing can emphasize immediate costs—higher energy prices, job losses, grid reliability, restrictions on vehicles or industrial activity—while giving less attention to the long-term economic costs of continued warming.
Government-sponsored challenges to climate science

A prominent recent example was the U.S. Department of Energy’s July 2025 publication of A Critical Review of Impacts of Greenhouse Gas Emissions on the U.S. Climate. The report was produced by five scientists assembled by Energy Secretary Chris Wright and argued, among other things, that the economic damages from CO₂-induced warming may be smaller than commonly believed and that aggressive mitigation policies could be more harmful than beneficial.

Carbon Brief subsequently conducted a detailed fact-check with climate scientists and reported more than 100 statements it characterized as false or misleading, including claims involving the economic consequences of climate change, extreme weather, and the interpretation of scientific literature.

The significance of such disputes is not simply whether individual claims are correct. It is also about which scientific evidence is selected, which uncertainties are emphasized, and how those choices are translated into public policy.

From the album “Present Tense“

bookmark_borderOutright Denial

[Silence]
[Instrumental Intro: dark psychedelic guitar riff, pulsing bass, distorted organ, fast driving drums]

[Intro]
The sky is changing
(The window’s clear)
The heat is rising
(Year after year)

You can call it weather
(You can call it fate)
But the evidence
(Is at the gate)

[Verse 1]
Once they said
(It isn’t real)
Nothing happening
(Nothing to feel)

Then the record
(Started showing)
And the temperatures
(Kept on going)

So the story
(Changed its name)
“Too expensive”
(Who’s to blame?)

From denial
(To delay)
Push the problem
(One more day)

[Refrain]
Outright denial
(Is no longer sustained)
Rial in mistrial
(Lying can’t be maintained)

Just look out your window
(Look out your backdoor)
Everybody’s come to know
(We can’t take it any more)

[Verse 2]
Close the border
(Guard the gate)
Protect the resources
(While we wait)

[Refrain]
Outright denial
(Is no longer sustained)
Rial in mistrial
(Lying can’t be maintained)

Just look out your window
(Look out your backdoor)
Everybody’s come to know
(We can’t take it any more)

[Verse 3]
“Not today
(Maybe next year)
Not our problem
(Nothing to fear)”

[Bridge]
Climate, power
(And identity)
The problem – our
(Is reality)

[Break]
Look out!
(The window!)
Look about!
(The backdoor!)

[Instrumental: escalating psychedelic jam, wah-wah guitar, organ, pounding bass]

[Final Refrain]
Outright denial
(Is no longer sustained)
Rial in mistrial
(Lying can’t be maintained)

Just look out your window
(Look out your backdoor)
Everybody’s come to know
(We can’t take it any more)

Who gets to survive?
(Who gets the choice?)
Who remains alive?
(Who gets the voice?)

[Outro]
Look out your window…
(If you need to know)
You want more, more, more…
(Look out your backdoor…)


Denialism, Fossil Fascism, Ecofascism, and Petro-Masculinity

About the Song
🌎 FROM CLIMATE DENIAL TO CLIMATE AUTHORITARIANISM
Who gets to survive climate change?
Climate politics is evolving.

As outright denial becomes harder to sustain, the narrative can shift from:

“Climate change isn’t happening.”
→ “Fixing it will cost too much.”
→ “Blame the outsiders.”
→ “Protect our resources.”

This article examines four related concepts:

🔹 Climate denial & climate delay
🔹 Ecofascism
🔹 Fossil fascism
🔹 Petro-masculinity

These aren’t interchangeable terms. Each describes a different way climate change, energy, identity, economics, and political power can become intertwined.

The central question is increasingly not simply whether the climate is changing—but how society explains the change, assigns responsibility, and responds to it.

Who gets to survive climate change?

Climate misinformation is no longer limited to simply denying that the planet is warming. As climate change becomes increasingly difficult to dismiss, the political narratives surrounding it have evolved—from outright denial, to attacks on climate science, to opposition to climate policy, and, in more extreme forms, to narratives that blame immigrants and other marginalized populations for environmental decline.

These narratives are not identical. They operate through different mechanisms and identify different enemies. But they can overlap, creating a broader political strategy in which climate science, energy policy, immigration, race, gender, and national identity become interconnected.

The International Panel on the Information Environment’s 2025 assessment concluded that powerful actors—including corporations, governments, and political parties—intentionally spread inaccurate or misleading narratives about anthropogenic climate change, contributing to declining public trust and political inaction.

From Climate Denial to Climate Authoritarianism: Fossil Fascism, Ecofascism, and Petro-Masculinity

From the album “Present Tense“

bookmark_borderWoof

[Silence]
[Instrumental Intro: chunky electric guitar, barking saxophone, walking bass, loose drums]

[Intro]
Who’s that talking?
(Who’s that there?)
Making noise
(Everywhere)

Little growl
(Big idea)
Something’s coming
(Now it’s near)

[Verse 1]
You hear a bark
(You look around)
Lookin’ like a land shark
(Attack bound?)

Tail is wagging
(Teeth are showing)
Hard to tell
(Which way it’s going)

[Refrain]
Woof, woof
(You barking at me?)
Woof proof
(You’re barking up the wrong tree)

[Verse 2]
You can talk tough
(You can growl)
You can make a
(You can bark and howl)

[Refrain]
Woof, woof
(You barking at me?)
Woof proof
(You’re barking up the wrong tree)

[Bridge]
Woof!
(What’s that?)

Woof!
(Who’s that?)

Woof!
(Where you at?)

Woof proof!
(That’s that!)

[Break]
Bark!
(In the dark!)

Growl!
(See a moon… howl)

Howl!
(Howl!)

Bow-wow-wow!

[Instrumental: wild guitar solo with barking vocal ad-libs]

[Final Refrain]
Woof, woof
(You barking at me?)
Woof proof
(You’re barking up the wrong tree)

[Outro]
Woof!
(Woof!)

Barking up…
(The wrong tree!)
… obviously

[Fade out]
[Silence]
[End]

From the album “Full Blown“

bookmark_borderGo Get ‘Er

[Silence]
[Instrumental Intro: driving guitar riff, bouncing bass, bright piano, handclaps]

[Intro]
There she goes
(He thinks he knows)
A start of the heart
(Life glows)

Something shining
(Through the haze)
Pulls you in
(And sets ablaze)

Don’t just wonder
(Don’t just wait)
If you want it
(Change your fate)

[Verse 1]
She’s a real
(Go get ‘er)
Touch to feel
(Go get her)

Something happens
(When she’s near)
Suddenly
(The path is clear)

You can dream it
(You can see)
You can wonder
(What could be)

But a dream
(Is just a dream)
‘Til you step into
(The scene)

[Refrain]
She’s a real
(Go get ‘er)
Touch to feel
(Go get her)

Know what I mean
… dream the scene
(Join the seen)

Turn dream
(Into reality)
See…
(Seen)
… live the dream

Grab hold of life!
(Relief from strife)
Come alive
(… and thrive…)

[Verse 2]
There’s a moment
(There’s a chance)
Life is calling
(Join the dance)

Don’t be waiting
(For a sign)
Anticipating
(Counting time)

Take the vision
(Make it real)
Take the thought
(Turn to feel)

From imagination
(To the street)
Put your dream
(Into the beat)

[Refrain]
She’s a real
(Go get ‘er)
Touch to feel
(Go get her)

Know what I mean
… dream the scene
(Join the seen)

Turn dream
(Into reality)
See…
(Seen)
… live the dream

Go get ‘er!
(Grab hold of life!)
Dreams of rife (life!)

[Bridge]
Dream!
(Seen!)

Seen!
(Scene!)

Be
(Reality)

[Break]
You know…
(Go!)

Get!
(‘Er!)

Go!
(Get ‘er!)

[Instrumental: guitar solo, stomping drums, handclaps]

[Outro]
She’s a real
(Go get ‘er)
Touch to feel
(Go get her)

Know what I mean
… dream the scene
(Join the seen)

Turn dream
(Into reality)
See…
(Seen)
… live the dream

[Fade out]
Go get ‘er!
(Go get ‘er!)

Go get ‘er!
(Go!)

Seen: the dream
(Scene: the dream)

[Silence]
[End]

From the album “Full Blown“

bookmark_borderOh, Now I Get…

[Silence]
[Instrumental Intro: 5 seconds of fast psychedelic guitar, fuzz bass, wah-wah, frantic drums]

[Verse 1]
Round and round
(What was that?)
Lost the thread
(Where’s it at?)

[Refrain]
Oh… so…
(Now I get…)
It

It took…
(A bit)
… but…
(Now I get it!)

Got!
(Not forgot)

[Verse 2]
Aha!
(Oh!)
There it is
(Whoa!)

Pieces click
(Into place)
Suddenly
(I know the face)

[Break]
Wait…
(What?)

What?
(Weight!)

Oh!
(Now!)

I…
(Get…)

Got!
(Not: forgot)

[Instrumental: 10-second psychedelic jam — rapid guitar riff, organ swirl, bass dive, drum break]

[Verse 3]
Didn’t see it
(At the start)
Now it’s beating
(In my heart)

Mystery
(Becomes clear)
Funny how
(It disappears)

[Refrain]
Oh… so…
(Now I get…)
It

It took…
(A bit)
… but…
(Now I get it!)

Got!
(Not forgot)

[Final Jam]
Oh!
(Now I get it!)

So!
(Now I see!)

In and out
(… of me!)

Get!
(Got!)

[Outro]
Oh…
(Oh!)

Now I get…

…it!

Got!
(Not forgot)

From the album “Full Blown“

bookmark_borderZoot

[Silence]
[Instrumental Intro: funky psychedelic bass, clipped guitar, Farfisa organ, handclaps, loose drums]

[Intro]
What are we chasing?
(What is the pursuit?)
Something elusive
(Calling it zoot)

Round and around
(We go)
Looking for answers
(… does anybody know?)

Too much!
(Too little!)
Too far!
(Too brittle!)

Somewhere between it all
(There’s a middle)

[Verse 1]
One side says
(Go all the way!)
The other side says
(Stay where you stay!)

[Refrain]
In pursuit
(Of zoot)
Exaggerated

An acute
(Destitute)
Exasperated

Both ends of the spectrum
(Extreme lean freedom)
Meet me in the middle
(To solve the riddle)

[Verse 2]
Know the answer
(Is not extreme)
The reality
(Is somewhere between)

[Refrain]
In pursuit
(Of zoot)
Exaggerated

An acute
(Destitute)
Exasperated

Both ends of the spectrum
(Extreme lean freedom)
Meet me in the middle
(To solve the riddle)

[Bridge]
Come on over
(Just a little)
Take a breath
(Meet me in the middle)

You bring your answer
(I’ll bring mine)
Maybe together
(We’ll define time)

[Break]
Zoot!
(Does it suit?)

Root, root, root
(Zoot!)

[Instrumental: psychedelic guitar solo, funky bass, organ stabs, rhythmic vocal chants]

[Final Refrain]
In pursuit
(Of zoot)
Exaggerated

An acute
(Destitute)
Exasperated

[Outro]
Both ends of the spectrum
(Extreme lean freedom)
Meet me in the middle
(To solve the riddle)

Zoot…
(At the root)

[Fade out]
Zoot, zoot, zoot

[Silence]
[End]

From the album “Full Blown“

bookmark_borderFloating On

[Silence]
[Instrumental Intro: dreamy acoustic guitar, soft electric guitar harmonics, airy synth pad, brushed drums]

[Intro]
Up above
(Where the clouds roll by)
Looking down
(From a changing sky)

No direction
(No destination)
Just a little
(Levitation)

[Verse 1]
Caught a breeze
(And away I went)
Didn’t ask
(Where the wind was sent)

Over rooftops
(Over trees)
Drifting with
(The passing breeze)

Clouds below me
(Clouds above)
Floating through
(The things I love)

[Refrain]
I’m floating on
(Floating on the wind)
Floating on and on
(Don’t know where to begin)
Floating on… again

[Verse 2]
There’s a river
(Far below)
Where it’s headed
(I don’t know)

Birds are flying
(They know why)
We keep drifting
(Through the sky)

[Refrain]
I’m floating on
(Floating on the wind)
Floating on and on
(Don’t know where to begin)
Floating on… again

[Bridge]
Am I drifting
(Or am I free?)

Will the wind
(Just carrying me?)

Do I choose
(The direction?)

Or surrender
(To convection?)

[Break]
Floating…
(Whoa…)

Drifting…
(Yeah…)

Turning…
(Around…)

Never quite
(Touching the ground)

[Instrumental: flowing guitar melody, swirling synth, light percussion]

[Final Chorus]
I’m floating on
(Floating on the wind)
Floating on and on
(Don’t know where to begin)

Floating through
(The atmosphere)
Floating far
(And floating near)

Floating on
(Through thick and thin)
Lose my way
(And find it again)

[Outro]
I’m floating on
(Floating on the wind)
Floating on and on
(Don’t know where to begin)
Floating on… again

Floating on…
(Again)

Floating on…
(And on…)

[Silence]
[End]

From the album “Full Blown“

bookmark_borderOut of Touch

[Silence]
[Instrumental Intro: funky psychedelic guitar, bouncing bass, handclaps, electric piano]

[Intro]
Are we connected?
(Or disconnected?)
Are we listening?
(Or just predicting?)

Just more talking
(Out loud)
But who’s really reaching
(Through the crowd?)

[Verse 1]
Phone in my hand
(World in my face)
Messages flying
(All over the place)

[Refrain]
Out of touch
(Much)
Much
(Out of touch)

Shout:
(Reach out!)

Find out about
(Touch)
… and such

[Verse 2]
Touch the screen
(Feel the glass)
Touch the future
(Watch it pass)

Touch the numbers
(Touch the chart)
Touch the data
(Forgot the heart)

[Refrain]
Out of touch
(Much)
Much
(Out of touch)

Shout:
(Reach out!)

Find out about
(Touch)
… and such

[Verse 3]
Out of touch
(Out of mind)
Out of sight
(Undefined)
[Bridge]
Reach out!
(Find out!)

Look around!
(Look around!)

Touch the ground!
(Hear the sound!)

Hear it here

[Break]
Touch!
(Much!)

Shout Out!
(Reach out!)

Touch and such…
(Find out!)

[Instrumental: funky guitar and bass groove, call-and-response vocals]

[Outro]
Out of touch
(Much)
Much
(Out of touch)

Shout:
(Reach out!)

Find out about
(Touch)
… and such

(Shout:)
Reach out!

[Fade out]
[Silence]
[End]

From the album “Full Blown“

bookmark_borderNever Mind

[Silence]
[Instrumental Intro: jangly acoustic guitar, playful bass, handclaps, whimsical piano]

[Intro]
Never say never
(Never mind)
Maybe forever
(Is hard to find)

Words can wander
(Left and right)
Thoughts can wander
(Out of sight)

… or… into the light

[Verse 1]
You said never
(I said mind)
Somewhere in between
(The being we’ll find)

[Refrain]
I never mind
(You bein’ kind)
The kind being kind
(I never mind)

Nevermind
(Is never in mind)
You’ll find…
(Nevermind)
Far, far behind

Oh, never mind
(The kind kind…)
Find the kind
(Bind)

[Verse 2]
Let’s go
(Let’s ride)
Put the ego
(To the side)

[Pre-Chorus]
Mind your manners
(Mind your mind)
Leave a little kindness
(For mankind)

Escape the tomb
(Find the space)
Leave a little room
(For some grace)

[Refrain]
I never mind
(You bein’ kind)
The kind being kind
(I never mind)

Nevermind
(Is never in mind)
You’ll find…
(Nevermind)
Far, far behind

Oh, never mind
(The kind kind…)
Find the kind
(Bind)

[Verse 3]
A word can cut
(A word can heal)
A thought can hide
(What you really feel)

A little kindness
(Costs so little)
But somehow kindness
(Can solve the riddle)

If you’re looking
(For a sign)
… look for
(Some kind)

If you’re searching
(For a way)
Give a little
(Away each day)

[Bridge]
Never mind!
(Never mind!)

Mind the kind!
(The kind kind!)

Kind the mind!
(Mind the kind!)

Find the bind!
(Leavin’ troubles behind!)

What connects us?
(Kindness!)

What protects us?
(Kindness!)

[Break]
Never…
(Never!)

Mind…
(Mind!)

Never mind!
(Kind!)

Kind!
(Kind!)

[Instrumental: upbeat psychedelic guitar, bouncing bass, piano fills]

[Outro]
I never mind
(You bein’ kind)
The kind being kind
(I never mind)

Nevermind…
(Is never in mind)

You’ll find…
(The kind kind…)
In the light
(Alright?)

You’ll find…
(Delight…)
In the light
(All right!)

[Fade out]
[Silence]

[End]

From the album “Full Blown“

bookmark_borderMiraculous

[Silence]
[Instrumental Intro: psychedelic guitar arpeggios, swirling synth, driving bass, tom-heavy drums]

[Intro]
Something’s happening
(Underneath)
Something’s changing
(Beyond belief)

The old equations
(Out of line)
Something’s moving
(Out of time)

[Verse 1]
Look at the river
(Changing its course)
Look at the weather
(Gathering force)

Round and round
(The feedback flows)
Where it ends
(Nobody knows)

[Refrain]
Miraculous
(Or dangerous)
For all of us
(Or the oblivious)

An uprising
(Extremely surprising)
Is it magical
(Is it wonderful)

Oh, so hard to explain
(By normal rules)
Stay in your lane
(Of crash with fools)

[Verse 2]
A butterfly flaps
(Somewhere in the blue)
A distant disturbance
(Comes crashing through)

A current is shifting
(A pattern is born)
A storm finds a pathway
(The system is torn)

Teleconnections
(Here and there)
Invisible pathways
(Everywhere)

[Pre-Chorus]
Is it chaos?
(Is it fate?)
Is it random?
(Is it too late?)

Is it nature
(Doing what it does?)
Or are we longing
(For the system that was?)

[Refrain]
Miraculous
(And near ingenious)
For all of us
(Or mere superfluous)

An uprising
(Extremely surprising)
Is it magical
(Is it wonderful)

Oh, so hard to explain
(By normal rules)
Stay in your lane
(Of crash with fools)

[Bridge]
Can’t call it magic
(Just because it’s strange)
Might call it tragic
(When everything’s changed)

[Break]
Up!
(Up!)
Rising!

Down!
(Down!)
Colliding!

Round!
(And round!)
Recombining!

What goes around
(Comes around)

[Instrumental: extended psychedelic guitar solo, pulsing bass, rising synth]

[Final Refrain]
Miraculous
(Or dangerous)
For all of us
(Or the oblivious-less)

An uprising
(Extremely surprising)
Is it magical
(Is it wonderful)

[Outro]
Oh, so hard to explain
(By normal rules)
Stay in your lane
(Of crash with fools)

To late to train…
(By any rules…)

[Silence]
[End]

From the album “Full Blown“

From the album “Present Tense“

bookmark_borderClimate (Short) Changed

[Silence]
[Instrumental Intro: sly blues-rock guitar, bass, piano, and a steady cash-register rhythm]

[Intro]
They said it was distant
(Too far away)
Something for tomorrow
(Not today)

But tomorrow came knocking
(On the front door)
And suddenly the mocking
(Costs a little more)

[Verse 1]
The roof needs fixing
(The storm came through)
The premium’s rising
(What can you do?)

The insurer’s nervous
(So am I)
The policy’s canceled
(Well, goodbye!)

[Refrain]
What will change you, honey?
(Money!)

Need some assurance
(About insurance)
And the fate
(Of the interest rate)
Taxes are taxing me
(Climate reality)

What will change you, honey?
(Money!)

[Verse 2]
Mortgage payment climbing
(The rate went high)
Climate risk pricing
(You wonder why)

The lender’s calculating
(The risk in the loan)
Location, exposure
(You’re on your own?)

Higher cost of capital
(Higher cost of debt)
When risk gets repriced
(You ain’t seen nothing yet)

A house isn’t just a house
(It’s an asset, you see)
It’s weather, water, wildfire
(And geography)

[Pre-Chorus]
You can ignore
(A temperature chart)
You can debate
(The science part)

But when the bill
(Comes through the door)
You start asking
(What was this for?)

[Refrain]
What will change you, honey?
(Money!)

Need some assurance
(About insurance)
And the fate
(Of the interest rate)
Taxes are taxing me
(Climate reality)

What will change you, honey?
(Money!)

[Bridge]
Climate change
(Prices rearrange)

Risk becomes
(A financial cost)

And the cost becomes
(A consumer loss)

[Break]
What happens
(When the wallet feels it?)

What happens
(When the market reveals it?)

What happens
(When the numbers don’t lie?)

You can close your eyes
(But when the bill comes… you cry!)

[Refrain]
What will change you, honey?
(Money!)

Need some assurance
(About insurance)
And the fate
(Of the interest rate)
Taxes are taxing me
(Climate reality)

What will change you, honey?
(Money!)

[Instrumental: cash-register percussion, blues guitar solo, piano stabs]

[Final Chorus]
Climate short changed
(Short changed!)
Paying for the weather
(Again and again)

Climate short changed
(Short changed!)
Everywhere you turn
(It’s the cost of the trend)

[Final Refrain]
What will change you, honey?
(Money!)

Need some assurance
(About insurance)
And the fate
(Of the interest rate)
Taxes are taxing me
(Climate reality)

[Outro]
What will change you, honey?
(Money!)

Climate short changed
(Deranged!)

You don’t need to love it
(You don’t need to hate)
You don’t even have to
(Participate)

But if the price keeps rising
(You’ll probably find)
Climate change
(Has changed your mind)

Climate short changed
(Short changed…)

Money…
(Honey…)

See…
(Climate reality.)


When Climate Change Hits the Wallet: Insurance, Interest Rates, and Taxes

About the Song
When Climate Change Hits the Wallet: Insurance, Interest Rates, and Taxes

What will actually change consumer behavior when it comes to climate change?
💰 Money.
Insurance. Interest rates. Taxes.

For years, climate change was largely treated as an environmental issue. But that is changing as climate risk increasingly enters the household economy.

🏠 Insurance premiums and availability are being affected by rising climate risks.
💰 Climate-related economic and fiscal pressures are affecting the cost of capital.
🧾 The growing costs of climate damage, adaptation, infrastructure, and energy transition are increasingly flowing through tax systems.

These forces can reinforce one another:
Climate change → financial disruption → higher household costs → changed consumer behavior

Consumers may ignore a temperature graph. They are much less likely to ignore an insurance cancellation, a higher mortgage payment, or a rising tax bill.

Climate change does not have to be universally accepted before it changes behavior.

It only has to become cost prohibitive to ignore.

Read the full report: “When Climate Change Hits the Wallet: Insurance, Interest Rates, and Taxes”

From the album “Present Tense“

bookmark_borderAcceleration and Inertia

[Silence]
[Instrumental Intro: Driving psychedelic groove, pulsing bass, swirling synth, chiming electric guitar]

[Intro]
Something’s moving
(Feel it now)
Something’s growing
(Oh, and how)

Hold on tight
(To the ride)
Acceleration
(On every side)

[Verse 1]
More energy
(Coming in)
Less escaping
(That’s the thing)

Inertia
(There’s your clue)
What was started
(Coming on through)

[Refrain]
Acceleration
(Accelerating)
There’s no debating
(Need education)

Inertia’s momentum
(Nature’s agendum)

[Verse 2]
See the risk
(Up it goes)
Tisk, tisk, tisk
(And danger grows)

Feedback calls
(One by one)
Then they couple
(Here they come!)

[Refrain]
Acceleration
(Accelerating)
There’s no debating
(Need education)

Inertia’s momentum
(Nature’s agendum)

[Psychedelic Jam I]
[Wah-wah guitar / pulsing bass / swirling synth]

Accelerate!
(At a rapid rate)
[Bridge]
Acceleration
(In the change)
Coupling
(Rearrange)

Inertia
(Holds the past)
Momentum
(Makes it last)

[Refrain]
Acceleration
(Accelerating)
There’s no debating
(Need education)

Inertia’s momentum
(Nature’s agendum)

[Psychedelic Jam II]
[Drums drop out / bass pulse / guitar feedback]

Accelerating…
(Exacerbating…)

Coupling…
(Doubling…)

[Final Refrain]
Acceleration
(Accelerating)
There’s no debating
(Need education)

Inertia’s momentum
(Nature’s agendum)

[Outro]
Acceleration
(Accelerating)
Coupling’s generating
(Feedback’s activating)

Inertia’s momentum
(Nature’s agendum)

[Instrumental Fade]

[Silence]
[End]


Climate Change, Acceleration, and Inertia: 4–7°C of Warming

About the Song
Climate Change, Acceleration, and Inertia: 4–7°C of Warming

Climate change is not simply a matter of temperatures gradually rising.

It is an energy problem.

More energy is entering the climate system than leaving it—and most of that excess energy is being absorbed by the oceans.

That creates INERTIA.

But something else is happening.

As warming crosses critical thresholds, self-reinforcing feedbacks become increasingly active:

🔥 Warming → 💧 More Water Vapor → 🔥 More Warming ↺

☁️ Fewer Low Clouds → ☀️ More Energy Absorbed → 🔥 More Warming

🟠 More Tropospheric Ozone → 🌎 Stronger Greenhouse Effect → Faster Carbon-Cycle Response

These feedbacks don’t operate independently. They interact, couple, and reinforce one another.

That changes the mathematics of climate change.

The 1.5°C threshold is not simply a number on a thermometer. It is a tripwire for a climate system increasingly dominated by feedbacks and nonlinear responses.

The result is a new climate reality:
ACCELERATION + COUPLING + INERTIA

The question is no longer simply how much greenhouse gas humans emit. It is how quickly the climate system begins amplifying the warming we have already created.

Having tripped the 1.5°C tripwire, both the acceleration and inertia of climate change have created a new reality. The most likely scenario is global warming of approximately 4°C this century. If humanity does not reach net zero by 2035, approximately 4–7°C of warming by 2150 becomes the most likely scenario.

The Times They Are a-Changing: Climate Change, Acceleration, and Inertia 4–7°C

From the album “Present Tense“