Low

[Intro]
Is it any wonder why
(I miss the high)

[Verse 1]
How low can we go
(Does anyone know)
Going down, down, down
(Down below)

[Chorus]
Is it any wonder why
(I miss the high)
No, don’t care to know
(About going low)

[Bridge]
Uplifting
The gifting
Of life
(And love)
Rife
(Whereof)
Hear of

[Verse 2]
I don’t know
(Setting the bar so low)
Going down, down, down
(Down below)

[Chorus]
Is it any wonder why
(I miss the high)
No, don’t care to know
(About going low)

[Bridge]
Uplifting
The gifting
Of life
(And love)
Rife
(Whereof)
Hear of

[Chorus]
Is it any wonder why
(I miss the high)
No, don’t care to know
(About going low)

[Bridge]
Uplifting
The gifting
Of life
(And love)
Rife
(Whereof)
Hear of

[Outro]
Love (hereof)
Love (hear of)
Love

From the album “Change the Music” by Daniel

The Human Induced Climate Change Experiment

MegaEpix Enormous

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3, 2, 1

[Intro]
1, 2, 3

Are you able to move
If so, let’s prove
The magic of music
The power of love

[Verse 1]
Reeling in the feeling
Rocking and rolling
Turning up the sound
And sending it around

[Chorus]
Are you able to move
If so, let’s prove
The magic of music
The power of love

[Break]
1, 2, 3
(Come on with me)
1, 2, 3
(Moving reality)

[Verse 2]
An emotion… love notion
Dance in the romance
Come and meet the beat
Head on (and on and on and on)

[Chorus]
Are you able to move
If so, let’s prove
The magic of music
The power of love

[Bridge]
1, 2, 3
(Come on with me)
1, 2, 3’s
(Movin’ like the breeze)

[Chorus]
Are you able to move
If so, let’s prove
The magic of music
The power of love

[Break]
1, 2, 3
(Come on with me)
1, 2, 3
(Moving freely)

[Outro]
3, 2, 1
(Before it’s done)

From the album “Change the Music” by Daniel

The Human Induced Climate Change Experiment

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Tone Tune

[Intro]
The tone of the tune
The tune of the tone
Listenin’ to music on the roam
Time to be leaving home

[Verse 1]
Taking notes on the notes
Ramp up the staff on the staff
Put your ears to the test
And, hope for the best

[Chorus]
The tone of the tune
The tune of the tone
Let the music roam
Time to believe in home?

[Bridge]
Let the music play
(Play all day)
Dancing in the light
(And into the night)

[Verse 2]
Don’t be flat when you can see sharp
Play a guitar or a blues harp
Get up off your seat and onto your feet
So we can play all day

[Chorus]
The tone of the tune
The tune of the tone
Let the music roam
Time to be leaving home

[Bridge]
Let the music play
(Play all day)
Dancing in the light
(And into the night)

[Chorus]
The tone of the tune
The tune of the tone
Let the music alone
Then I’ll be coming home

[Bridge]
Let the music play
(Play all day)
Dancing in the light
(And into the night)

[Outro]
Hey, hey, hey
(What do you say)
Let the music play

Reggae Sway” by Narley Marley

From the album “Change the Music” by Daniel

The Human Induced Climate Change Experiment

MegaEpix Enormous

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Change the Music

[Intro]
The days go on and on
To the same old song
Same sun, same dawn
But for how long?

[Verse 1]
Does anybody really care
How clean air became rare
Does anybody care to know
How things are bound to go?

[Chorus]
The days go on and on
To the same old song
Same sun, same dawn
But for how long?

[Bridge]
[Instrumental, Guitar Solo]
How close to the edge do we veer
Is about to become crystal clear

[Verse 2]
Is there anywhere where they care
That clean water’s no longer there
The onslaught of the weak and sick
Maybe it’s time to change the music

[Chorus]
The days go on and on
To the same old song
Same sun, same dawn
But for how long?

[Bridge]
[Instrumental, Guitar Solo]
How close to the edge do we veer
Is about to become crystal clear

[Chorus]
The days go on and on
To the same old song
Same sun, same dawn
But for how long?

[Outro]
How close to the edge do we veer
Is about to become crystal clear

From the album “Change the Music” by Daniel

The Human Induced Climate Change Experiment

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Domination Celebration

[Verse 1]
Furthermore,
The historical baggage
Nevermore
In modern day language

[Chorus]
It’s a domination
(Celebration)
Ringing in
(The wringing of)
Domination
(Celebration)

[Bridge]
Grappling with the legacy
Of forefathers slavery
Resonate
(Embedded hate)

[Verse 2]
They say a word
Is mightier than the sword
So check the attitude
When lewd and crude

[Chorus]
It’s a domination
(Celebration)
Ringing in
(The wringing of)
Domination
(Celebration)

[Bridge]
Grappling with the legacy
Of forefathers slavery
Resonate
(Embedded hate)

[Chorus]
It’s a domination
(Celebration)
Ringing in
(The wringing of)
Domination
(Celebration)

[Outro]
A domination
Celebration
(Vacation)

ABOUT THE SONG
Part of my recent study reveals a disturbing trend among Trump supporters: a shared tendency toward cruelty and sadism. If someone finds sadism amusing, it not only highlights a lack of empathy but may also point to underlying mental health issues. This behavior reflects a troubling mindset that demands attention and critical examination. The unchecked destruction of the environment, the erosion of governmental structures, and the growing normalization of cruelty paint a dire and unmistakable picture of our future.

By celebrating domination and deriving satisfaction from others’ discomfort, “own the libs” perpetuates a culture of divisiveness and cruelty. Furthermore, the historical baggage of “ownership” as a concept cannot be entirely divorced from its use, especially in a country still grappling with the legacy of slavery. It’s a stark reminder of how language can carry unintended or overlooked implications that resonate deeply with historical injustices.

From the album “The Rise of Public Sadism and Cruelty” by The End

The Human Induced Climate Change Experiment

MegaEpix Enormous

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Own the Libs

[Intro]
Evocation of slavery imagery
(In need of salvation)
Dedication to hate and bigotry
(With no hesitation)

[Verse 1]
Here’s a smiley
(I’m laughing at you)
With wit too dryly
(I’m laughing at you)

[Bridge]
Laughing at you
(Laughing at me)
Or can’t you see
(What is true?)

[Chorus]
Yo, don’t you know?
We own the libs!
(Woe, no, didn’t know)
… they are up for dibs?

[Bridge]
Evocation of slavery imagery
(In need of salvation)
Dedication to hate and bigotry
(With no hesitation)

[Verse 2]
A shirk and a smirk
(A think in stink)
A worm squirm
(In need of a shrink)

[Bridge]
Laughing at you
(Laughing at me)
Or can’t you see
(What is true?)

[Chorus]
Yo, don’t you know?
We own the libs!
(Woe, no, didn’t know)
… they are up for dibs?

[Bridge]
Evocation of slavery imagery
(In need of salvation)
Dedication to hate and bigotry
(With no hesitation)

[Outro]
Own the libs
(And other fibs)

ABOUT THE SONG
Normalization of Hate and Cruelty: A Culture of Relishing Pain and Suffering
This shift in societal norms is mirrored in online behavior, where Trump supporters often express amusement or approval through emojis and comments, reinforcing the acceptability of these attitudes. Social media has amplified this trend, enabling the public normalization of sadistic and hateful behaviors across political and ideological divides.

The phrase “own the libs” has gained popularity in certain political and cultural contexts, often used to describe actions or statements aimed at provoking, humiliating, or frustrating perceived liberal or progressive individuals. Examining the phrase reveals two troubling implications:

  1. Pleasure in Cruelty:
    • The expression reflects a willingness to act out of spite rather than genuine political or ideological discourse. It shifts the goal from engaging in meaningful debate to simply inflicting emotional or intellectual discomfort on others.
    • This aligns with concepts like “schadenfreude,” the pleasure derived from another’s misfortune, and demonstrates an erosion of empathy in political and cultural exchanges. Instead of focusing on constructive policy or shared goals, the phrase celebrates antagonism for its own sake.
  2. Evocation of Slavery Imagery:
    • The term “own” carries dark historical connotations tied to the enslavement of human beings, particularly in the United States. Historically, to “own” a person was to assert absolute control and dehumanize them, stripping away autonomy and dignity.
    • While the phrase is not always used with an explicit reference to slavery, its invocation in the context of political dominance or humiliation can unintentionally (or in some cases, intentionally) echo the power dynamics and cruelty associated with slavery.

By celebrating domination and deriving satisfaction from others’ discomfort, “own the libs” perpetuates a culture of divisiveness and cruelty. Furthermore, the historical baggage of “ownership” as a concept cannot be entirely divorced from its use, especially in a country still grappling with the legacy of slavery. It’s a stark reminder of how language can carry unintended or overlooked implications that resonate deeply with historical injustices.

From the album “The Rise of Public Sadism and Cruelty” by The End

The Human Induced Climate Change Experiment

MegaEpix Enormous

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Normalization of Hate and Cruelty

[Intro]
That’s dark
(Into the shadows)
What sparks?
(No one knows)

[Verse 1]
The nationalization
(Of natural stupidity)
Normalization
(Of hate and cruelty)

[Bridge]
That’s dark
(Into the shadows)
What sparks?
(No one knows)

[Chorus]
Shift in societal norms
(Brains eaten by worms)
Acceptability
(Of our inhumanity)

[Verse 2]
The rationalization
(Of natural stupidity)
Normalization
(Of hate and cruelty)

[Bridge]
That’s dark
(Into the shadows)
What sparks?
(No one knows)

[Chorus]
Shift in societal norms
(Brains eaten by worms)
Acceptability
(Of our inhumanity)

[Bridge]
That’s dark
(Into the shadows)
What sparks?
(No one knows)

[Chorus]
Shift in societal norms
(Brains eaten by worms)
Acceptability
(Of our inhumanity)

[Outro]
Our nationalization
(Of the normalization)

ABOUT THE SONG
Normalization of Hate and Cruelty: A Culture of Relishing Pain and Suffering
This shift in societal norms is mirrored in online behavior, where Trump supporters often express amusement or approval through emojis and comments, reinforcing the acceptability of these attitudes. Social media has amplified this trend, enabling the public normalization of sadistic and hateful behaviors across political and ideological divides.

From the album “The Rise of Public Sadism and Cruelty” by The End

The Human Induced Climate Change Experiment

MegaEpix Enormous

Posted in Daniel, lyrics, MegaEpix Enormous, The End | Tagged , , | Comments closed

#5 Pleasure in Suffering

[Verse 1]
How to endure….
Your pleasure in suffering
(Your logical shuffling)
Lovin’ pain’s insane

[Chorus]
Total insanity
(Thrive on deprive)
The inhumanity
(Of your vanity)

[Bridge]
[Instrumental, Violin Solo]
“owning” perceived adversaries
(Not knowing the absurdities)
A political tool fool
(The reality of your cruelty)

[Verse 2]
Ohh, how much more….
Will we have to endure
(Suffering’s allure)
Lovin’ pain’s insane

[Chorus]
Total insanity
(Strive to deprive)
The inhumanity
(Of your vanity)

[Bridge]
“owning” perceived adversaries
(Not knowing the absurdities)
A political tool fool
(The reality of your cruelty)

[Chorus]
Total insanity
(Strive to deprive)
The inhumanity
(Of your vanity)

[Outro]
Can’t remain
(Near your insane pain)

ABOUT THE SONG
The parallels between far-right movements in the United States and Israel often revolve around shared ideologies regarding nationalism, militarism, and resistance to pluralism or inclusive political solutions, such as a two-state resolution in the Israeli-Palestinian conflict. Here are the connections:

5. Pleasure in Suffering

  • The far-right in both countries often appears to derive satisfaction from “owning” perceived adversaries, which aligns with the broader critique of cruelty as a political tool. Public comments, social media posts, and political statements sometimes celebrate the suffering of the “enemy,” reflecting an absence of empathy.

From the album “The Rise of Public Sadism and Cruelty” by The End

The Human Induced Climate Change Experiment

MegaEpix Enormous

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#4 Deliberate Infliction of Pain

[Intro]
What pleasure do you gain
By the deliberate infliction of pain

[Verse 1]
Withholding medication
(Is one sick infliction)
As is starvation
(What in all God’s creation?)

[Chorus]
What pleasure do you gain
(By the deliberate infliction of pain)
The bombing of babies
(Are you stricken with rabies)

[Bridge]
Cherish watching
Humanitarian aid (Fade)
Loving the scorching
(Of Earth’s births)

[Verse 2]
Amputation
(Once again withholding medication)
You must concede
(You love watching them bleed)

[Chorus]
What pleasure do you gain
(By the deliberate infliction of pain)
The bombing of babies
(Are you stricken with rabies)

[Bridge]
[Instrumental, Guitar Solo]
Cherish watching
Humanitarian aid (Fade)
Loving the scorching
(Of Earth’s births)

[Chorus]
What pleasure do you gain
(By the deliberate infliction of pain)
The bombing of babies
(Are you stricken with rabies)

[Instrumental, Guitar Solo]

[Outro]
What pleasure do you gain
(Inflicting pain)

ABOUT THE SONG
The parallels between far-right movements in the United States and Israel often revolve around shared ideologies regarding nationalism, militarism, and resistance to pluralism or inclusive political solutions, such as a two-state resolution in the Israeli-Palestinian conflict. Here are the connections:

4. Deliberate Infliction of Pain

  • Far-right movements in both countries have been criticized for policies that appear to prolong suffering, such as withholding critical resources. For example:
    • Bombing Civilian Areas: Disregard for civilian casualties, including children, during military operations, has been a hallmark of critiques against Israeli far-right policies. Similar rhetoric in the U.S. far-right justifies collateral damage in conflicts by portraying it as necessary for national security.
    • Withholding Pain Medication and Food Supplies: Policies restricting medical and humanitarian aid to Gaza, for instance, have drawn international condemnation, with critics likening them to collective punishment.

From the album “The Rise of Public Sadism and Cruelty” by The End

The Human Induced Climate Change Experiment

MegaEpix Enormous

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History Repeats Itself

[Intro]
History repeats itself
(History repeats itself)
History repeats itself
(Like a scratched record)
Fall upon our sword

[Verse 1]
History repeats itself
(Again and again)
The story of “my self-wealth”
(Again and again)

[Chorus]
The rise of hate
(And cruelty)
Is it too late
(To stop the casualty)

[Bridge]
Participated in atrocities
(The downfall of societies)
Banality of evil
(A deal with the devil)

[Verse 2]
Our story repeats itself
(Over and over again)
For greed, envy, and self-wealth
(Again and again and again)

[Chorus]
The rise of hate
(And cruelty)
Is it too late
(To stop the casualty)

[Bridge]
Participated in atrocities
(The downfall of societies)
Banality of evil
(A deal with the devil)

[Chorus]
The rise of hate
(And cruelty)
Is it too late
(To stop the casualty)

[Bridge]
[Instrumental, Piano Solo]
Participate in the atrocity
(No normal in normality)

[Outro]
History repeats itself
(Like a scratched record)
Fall upon our sword

ABOUT THE SONG
The Rise of Public Sadism and Cruelty
Part of my recent study reveals a disturbing trend among Trump supporters: a shared tendency toward cruelty and sadism. If someone finds sadism amusing, it not only highlights a lack of empathy but may also point to underlying mental health issues. This behavior reflects a troubling mindset that demands attention and critical examination. The unchecked destruction of the environment, the erosion of governmental structures, and the growing normalization of cruelty paint a dire and unmistakable picture of our future.

History Repeats Itself
There are similar studies examining the rise of public sadism and cruelty in Nazi Germany, focusing on psychological, sociopolitical, and cultural factors. Scholars often explore how propaganda, dehumanization of marginalized groups, and the ideology of the regime created a culture where cruelty was normalized or even celebrated.

Key works include:
* Christopher Browning’s “Ordinary Men” – Examines how regular people participated in atrocities due to peer pressure, ideology, and situational factors.
* Hannah Arendt’s “Eichmann in Jerusalem” – Discusses the “banality of evil” and how ordinary individuals can commit acts of cruelty under systemic influence.
* Harald Welzer’s studies – Focus on group dynamics and the psychological processes enabling public sadism.

These works suggest that societal and institutional factors can deeply influence individual behavior, fostering environments where cruelty flourishes.

From the album “The Rise of Public Sadism and Cruelty” by The End

The Human Induced Climate Change Experiment

MegaEpix Enormous

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Dehumanizing Rhetoric

[Intro]
USA! USA! USA, say:
(Subhuman)
Say it again!
(Subhuman)
Say it again!

[Instrumental, Synth, Organ, Guitar, Bass, Drum Fills]

[Verse 1]
The animal
Let us kill
Those ape
Just wanna rape

[Bridge]
USA! USA! USA, say:
(Subhuman)
Say it again!
(Subhuman)
Say it again!

[Chorus]
Fostering hatred (Denying love)
Justifying violence (Then remain in silence)
Trampling what’s sacred (Once was love)
Crown jewel is cruelty (Tragically)

[Bridge]
Dehumanizing rhetoric
(Sick, sick, sick)

[Break]
Turn up the music!
(Quick, quick, quick)

[Verse 2]
Animal invasion
Crossing my border
Lethal persuasion
Upon my order

[Bridge]
USA! USA! USA, say:
(Subhuman)
Say it again!
(Subhuman)
Say it again!

[Chorus]
Fostering hatred (Denying love)
Justifying violence (Then remain in silence)
Trampling what’s sacred (Once was love)
Crown jewel is cruelty (Tragically)

[Bridge]
Dehumanizing rhetoric
(Sick, sick, sick)

[Break]
Turn up the music!
(Quick, quick, quick)

[Bridge]
[Instrumental, Applause, Crowd Screams, Whistles]
USA! USA! USA, say:
(Subhuman)
Say it again!
(Subhuman)
Say it again!

[Chorus]
Fostering hatred (Denying love)
Justifying violence (Then remain in silence)
Trampling what’s sacred (Once was love)
Crown jewel is cruelty (Tragically)

[Bridge]
[Instrumental, Organ Solo]
Dehumanizing rhetoric
(Sick, sick, sick)

[Outro]
Turn up the music!
(Quick, quick, quick)

ABOUT THE SONG
The parallels between far-right movements in the United States and Israel often revolve around shared ideologies regarding nationalism, militarism, and resistance to pluralism or inclusive political solutions, such as a two-state resolution in the Israeli-Palestinian conflict. Here are the connections:

3. Dehumanizing Rhetoric

  • Dehumanizing language, such as referring to Arabs as “animals” or “subhuman,” is a characteristic shared by extreme factions. Such language has been condemned internationally for fostering hatred and justifying violence. Leaders in both far-right movements have used rhetoric that frames Palestinians and Arabs as existential threats, often downplaying civilian casualties in military actions.

From the album “The Rise of Public Sadism and Cruelty” by The End

The Human Induced Climate Change Experiment

MegaEpix Enormous

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Sternal Retractor

[Verse 1]
Do you need
To open your heart
Minimize the bleed
Well, here’s how to start
.. to let some love depart

[Chorus]
Sternal retractor
Helps to separate
Critical factor
In removing the hate
(Opening your heart’s a start)

[Bridge]
Hope all goes well…
(Hand me a scalpel)
Do you see…
(A sternal saw)
Setting love free
(Angels in awe)

[Verse 2]
So you concede
Love is a basic need
Minimize the bleed
While you let some love out
If you feel pain, just shout!

[Chorus]
Sternal retractor
Helps to separate
Critical factor
In removing the hate
(Opening your heart’s a start)

[Bridge]
Hope all goes well…
(Hand me a scalpel)
Do you see…
(A sternal saw)
Setting love free
(Angels in awe)

[Chorus]
Sternal retractor
Helps to separate
Critical factor
In removing the hate
(Opening your heart’s a start)

[Bridge]
[Instrumental, Whistle Solo]
Hope all goes well…
(Hand me a scalpel)
Do you see…
(A sternal saw)

[Outro]
Setting love free
(Angels in awe)

ABOUT THE SONG
The rise in cruelty and the normalization of sadism among Trump supporters are evident in several unsettling examples. Kristi Noem’s appointment as Homeland Security Director follows her unapologetic boasting about killing an “untrainable” dog she despised, which received applause from supporters. Similarly, Stephen Miller’s reemergence as Deputy Chief of Staff highlights far-right cruelty, including his infamous role in family separations, anti-immigrant policies, and white nationalist rhetoric. Many Trump supporters are referring to the extensive list of controversial and empathy-lacking nominations and appointments as their ‘dream team.’

From the album “The Rise of Public Sadism and Cruelty” by The End

The Human Induced Climate Change Experiment

MegaEpix Enormous

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Out of Your Mind

[Intro]
Do you find…
That you’re out of your mind

[Verse 1]
Have you lost your mind
(Find it hard to find)
Are you out of your head
(Perhaps even brain dead)

[Chorus]
Do you find…
That you’re out of your mind
Total insanity
Raging against humanity

[Bridge]
Time to remind
(Your heart)
How to be kind
(Now to start)

[Verse 2]
Have you gone completely mad
(Both angry and crazy)
Perpetually sad
(All your thoughts hazy)

[Chorus]
Do you find…
That you’re out of your mind
Total insanity
Raging against humanity

[Bridge]
Time to remind
(Your heart)
How to be kind
(Now to start)

[Chorus]
Do you find…
That you’re out of your mind
Total insanity
Raging against humanity

[Bridge]
Time to remind
(Your heart)
How to be kind
(Now to start)

[Outro]
Now to start
(From the heart)

ABOUT THE SONG
Part of my recent study reveals a disturbing trend among Trump supporters: a shared tendency toward cruelty and sadism. If someone finds sadism amusing, it not only highlights a lack of empathy but may also point to underlying mental health issues. This behavior reflects a troubling mindset that demands attention and critical examination. The unchecked destruction of the environment, the erosion of governmental structures, and the growing normalization of cruelty paint a dire and unmistakable picture of our future.

From the album “The Rise of Public Sadism and Cruelty” by The End

The Human Induced Climate Change Experiment

MegaEpix Enormous

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The Past Doesn’t Last

[Verse 1]
The past
Doesn’t last
(Or it would be here right now)
At last
Gone past
I got over it… (somehow)

[Chorus]
(No) Never have to go back
(So) On we go
Found out love is the knack
(Oh) So glad to know

[Bridge]
The path’s been cleared ahead
(Now I’ve cleared my head)
I can hear here more naturally
(And it’s quite lovely)

[Verse 2]
The past
Didn’t last
(Or it would be here by now)
Gone past
At last
I got over it… (somehow)

[Chorus]
(No) Never have to go back
(So) On we go
Found out love is the knack
(Oh) So glad to know

[Bridge]
The path’s been cleared ahead
(Now I’ve cleared my head)
I can hear here more naturally
(And it’s quite lovely)

[Chorus]
(No) Never have to go back
(So) On we go
Found out love is the knack
(Oh) So glad to know

[Bridge]
The past
Doesn’t last
(Or it would be here right now)
At last
Gone past
I got over it… (somehow)

[Outro]
What do we lack?
(Love is the knack!)

From the album “A Bolt From the Blue” by Daniel

Reggae Sway” by Narley Marley

The Human Induced Climate Change Experiment

MegaEpix Enormous

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Out the Window

[Intro]
If you need to know
… stick your head out the window
(Feel the wind blow)

[Verse 1]
And it comes to pass
That the end starts
(As it starts to end)
Surprised, alas…
Beginning to end
Where the end begins
(Do we do it again?)

[Bridge]
If you need to know
… stick your head out the window
(Feel the wind blow)

[Chorus]
Moving fast
(Into the past)
Or staying present
(In the present)

[Verse 2]
Is the future encroaching
(Into your space)
Or, are your arms outstretching
(Trying to embrace)

[Bridge]
If you need to know
… stick your head out the window
(Feel the wind blow)

[Chorus]
Moving fast
(Into the past)
Or staying present
(In the present)

[Outro]
Moving fast
(Into the past)
Or staying present
(In the present)

From the album “A Bolt From the Blue” by Daniel

The Human Induced Climate Change Experiment

MegaEpix Enormous

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