Or Set Her Free

Or-Set-Her-Free-Best-Of.mp3
Or-Set-Her-Free-Best-Of.mp3
Or-Set-Her-Free.mp3
Or-Set-Her-Free.mp4

Or-Set-Her-Free-intro.mp3

[Intro]
Should I hold on tightly
(Or set her free)
Am I the almighty
(Or simply me)

[Verse 1]
Mama!
(What a dilemma)
I “want” so bad
(No need, not a tad)

[Chorus]
Should I hold on tightly
(Or set her free)
Am I the almighty
(Or simply me)

[Bridge]
Rightly (help me see)
Free (She’s meant to be)
You can’t cage (our stage)

[Verse 2]
Such confusion
(In our illusion)
Do I have to have
(Or do with half)

[Chorus]
Should I hold on tightly
(Or set her free)
Am I the almighty
(Or simply me)

[Bridge]
Rightly (help me see)
Free (She’s meant to be)
You can’t cage (our stage)

[Outro[
What she’s really meant to be
(Free, free, free)
No strings attached… totally
(Free, free, free)
In the process… freeing me
(Free, free, free)

From the album “Hold On

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On My Way

On-My-Way-Best-Of.mp3
On-My-Way-Best-Of.mp4
On-My-Way.mp3
On-My-Way.mp4
On-My-Way-intro.mp3

[Intro]
Hold on!
(I’m on my way)
Everything
(Will be OK)

[Bridge]
The urgency
(Of the emergency)

[Refrain]
Hold on!
(I’m on my way)
Everything
(Will be OK)

[Bridge]
Off (to save the day!)
The urgency
(Of the emergency)
Is plain to see
(Obviously)

[Refrain]
Hold on!
(I’m on my way)
Everything
(Will be OK)

[Bridge]
Off (to save the day!)
The urgency
(Of the emergency)
Is plain to see
(Obviously)
I know what to do
(I’ll help you!)

[Refrain]
Hold on!
(I’m on my way)
Everything
(Will be OK)

[Outro]
Off (to save the day!)
The urgency
(Of the emergency)
Creates necessity
(Obviously)
I’ll do all I can do
(To rescue you)

From the album “Hold On

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What’s Left

Whats-Left.mp3
Whats-Left.mp4
Whats-Left-Pt-2.mp3
Whats-Left-Pt-2.mp4
Whats-Left-intro.mp3

[Intro]
Do your best
To hold on
(To what’s left)
Suggest
(Reason)

[Verse 1]
The ice is melting
(Drip by drop)
Temperature’s sweltering
(Just won’t stop)

[Bridge]
Suggest
(Reason)

[Chorus]
Do your best
To hold on
(To what’s left)
Before more
(Fades away today)

[Verse 2]
The reservoir
(Drier than before)
Down to the last drop
(Just won’t stop)

[Bridge]

[Chorus]

[Outro]
What do you say
(Let’s make it OK)
Suggest it’s the season
(For reason)

ABOUT THE SONG AND THE SCIENCE

“What’s Left” reads as a quiet but urgent meditation on human-induced climate change, framed not as spectacle, but as loss measured in drops, degrees, and dwindling margins.

Verse 1: The Physics of Loss

“The ice is melting / (Drip by drop)”
“Temperature’s sweltering / (Just won’t stop)”

The imagery is deliberately incremental. Climate change rarely arrives as a single moment—it accumulates. “Drip by drop” mirrors glacial melt, ice-sheet mass loss, and the slow but relentless transfer of water from frozen reservoirs into the ocean. The phrase “just won’t stop” reflects the inertia of the climate system: even if emissions ceased today, stored heat in oceans and atmosphere would continue driving warming for decades.

This is climate change as process, not apocalypse—yet.

Bridge: Reason vs. Denial

“Suggest / (Reason)”

This terse bridge functions like a plea. In the face of overwhelming physical evidence, the song calls for rational response rather than excuse-making. It’s a direct challenge to denial, delay, and political deflection—an appeal to act while reason still has leverage.

Chorus: The Shrinking Window

“Do your best / To hold on / (To what’s left)”
“Before more / (Fades away today)”

Here the song becomes ethical. “What’s left” refers simultaneously to:

  • Remaining ice

  • Remaining freshwater

  • Remaining ecosystems

  • Remaining time

  • Remaining moral responsibility

The urgency is temporal: today. Climate change is framed not as a future problem but as an ongoing subtraction. Each delay erodes options. The chorus implies that inaction is itself a choice—one that guarantees further loss.

Verse 2: Water as the Limiting Factor

“The reservoir / (Drier than before)”
“Down to the last drop / (Just won’t stop)”

This verse shifts from ice to liquid water, completing the hydrological arc. Melting ice does not mean water security—paradoxically, warming leads to drought, reservoir depletion, and freshwater scarcity. Snowpack loss, altered precipitation patterns, and evaporation intensify shortages even as floods increase elsewhere.

“Just won’t stop” now applies to depletion, reinforcing the idea of runaway dynamics once thresholds are crossed.

Outro: A Final Choice

“What do you say / (Let’s make it OK)”
“Suggest it’s the season / (For reason)”

The closing lines return agency to humanity. The problem is physical, but the solution is social, political, and moral. Calling it a “season for reason” subtly contrasts natural cycles with human decision-making: nature follows laws; humans choose whether to listen.

Overall Meaning
“What’s Left” is not about panic—it’s about accounting. It asks the listener to notice what remains before it’s gone, and to recognize that climate change is not an abstract trend but a lived, measurable erosion of stability.

The song’s power lies in restraint: no grand metaphors, no hyperbole—just the physics of warming translated into human terms. It reminds us that the defining question of climate change is no longer “Is it happening?” but:

How much will we lose before we decide to stop?

* Our probabilistic, ensemble-based climate model — which incorporates complex socio-economic and ecological feedback loops within a dynamic, nonlinear system — projects that global temperatures are becoming unsustainable this century. This far exceeds earlier estimates of a 4°C rise over the next thousand years, highlighting a dramatic acceleration in global warming. We are now entering a phase of compound, cascading collapse, where climate, ecological, and societal systems destabilize through interlinked, self-reinforcing feedback loops.

We examine how human activities — such as deforestation, fossil fuel combustion, mass consumption, industrial agriculture, and land development — interact with ecological processes like thermal energy redistribution, carbon cycling, hydrological flow, biodiversity loss, and the spread of disease vectors. These interactions do not follow linear cause-and-effect patterns. Instead, they form complex, self-reinforcing feedback loops that can trigger rapid, system-wide transformations — often abruptly and without warning. Grasping these dynamics is crucial for accurately assessing global risks and developing effective strategies for long-term survival.

What Can I Do?
The single most important action you can take to help address the climate crisis is simple: stop burning fossil fuels. There are numerous actions you can take to contribute to saving the planet. Each person bears the responsibility to minimize pollution, discontinue the use of fossil fuels, reduce consumption, and foster a culture of love and care. The Butterfly Effect illustrates that a small change in one area can lead to significant alterations in conditions anywhere on the globe. Hence, the frequently heard statement that a fluttering butterfly in China can cause a hurricane in the Atlantic. Be a butterfly and affect the world.

Tipping points and feedback loops drive the acceleration of climate change. When one tipping point is breached and triggers others, the cascading collapse is known as the Domino Effect.

The Climate Crisis: Violent Rain | Deadly Humid Heat | Extreme Weather Events | Insurance | Trees Deforestation | Air Pollution | Rising Sea Level | Food and Water | Updates

The Human Induced Climate Change Experiment

From the album “Hold On

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Hold On

Hold-On-Best-Of.mp3
Hold-On-Best-Of.mp4
Hold-On.mp3
Hold-On.mp4

Hold-On-Animation-1.mp4
Hold-On-Animation-2.mp4
Hold-On-intro.mp3

[Intro]
Hold on
(Wait!)
Or hold on
(Tight)

[Verse 1]
Wrap your fingers
(Clench your fist)
If doubt lingers
(Hope persists)

[Chorus]
Hold on
(Wait!)
Or hold on
(Tight)

[Bridge]
Which is right
(Get it straight)

[Verse 2]
Grasp with both hands
(No, don’t let go)
Reason understands
(Once you know)

[Chorus]
Hold on
(Wait!)
Or hold on
(Tight)

[Bridge]
Which is right
(Get it straight)

[Outro]
Hold on (tight)
Hold on
(With all your might)
Hold on
(And on and on and on)
Hold on

From the album “Hold On

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Which Itch

Which-Itch-Best-Of.mp3
Which-Itch-Best-Of.mp4
Which-Itch.mp3
Which-Itch.mp4
Which-Itch-Unplugged-Underground-XXIX.mp3
Which-Itch-Unplugged-Underground-XXIX.mp4
Which-Itch-Unplugged.mp3;
Which-Itch-Unplugged.mp4

Which-Itch-Animation-1.mp4
Which-Itch-Animation-2.mp4
Which-Itch-intro.mp3

[Intro]
Witch itch
(To scratch first)

[Refrain]
So much to do
(So little time to do it)
No one’s to blame
(In fact, we love the game)

[Bridge]
Shout!
(And jump about)
Witch itch
(To scratch first)

[Verse]
Prioritization
(Desire satisfaction)
Needs and urges
(Require attention)
My heart surges

[Bridge]
Shout!
(And jump about)
Witch itch
(To scratch first)

[Refrain]
So much to do
(So little time to do it)
No one’s to blame
(In fact, we love the game)

[Outro]
So much to do
(So little time to do it)
No one’s to blame
(In fact, we love the game)

From the album “Which

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Tic

Tic.mp3
Tic.mp4
Tic-Pt-2.mp3
Tic-Pt-2.mp4
Tic-intro.mp3

[Intro]
Arctic
(Antarctic)
Tic, tic, tic

[Verse 1]
Which end is up
(Which way is down)
The surface corrupt
(Just look around)

[Bridge]
Arctic
(Antarctic)
Tic, tic, tic

[Chorus]
Going to the ends of the earth
(For you)
Devoting my wealth and health
(To get us through)

[Verse 2]
Not really sure
(Why we want to go there)
Perhaps to find a cure
(For the unaware)

[Bridge]
Arctic
(Antarctic)
Tic, tic, tic

[Chorus]
Going to the ends of the earth
(For you)
Devoting my wealth and health
(To get us through)

[Outro]
The roles (of the poles)
As we turn ’round
(Round and round and round)
Arctic
(Antarctic)
Tic, tic, tic
The poles (of our souls)
Here’s a thought…
(They’re getting hot)
As we turn ’round
(Round and round and round)
Tic, tic, tic

From the album “Which

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Neither

Neither-Best-Of.mp3
Neither-Best-Of.mp4
Neither.mp3
Neither.mp4

Neither-Animation-1.mp4
Neither-Animation-2.mp4
Neither-intro.mp3

[Intro]
Let me see
(A or B)
Is it either
(Both or neither)

[Verse 1]
What do you
(Want to do)
A: stay
B: flee

[Bridge]
What do you choose
(Win or lose)

[Chorus]
Let me see
(A or B)
Is it either
(Both or neither)

[Verse 2]
What do you
(Have to say)
What’s your view
(Along the way)

[Bridge]
What do you choose
(Win or lose)

[Chorus]
Let me see
(A or B)
Is it either
(Both or neither)

[Outro]
Maybe C
(See it through)
That’s what we’ll do
That’s what we choose
(For the win)
Lit the fuse
(For the win… again)

From the album “Which

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The Wind Blows

The-Wind-Blows.mp3
The-Wind-Blows.mp4
The-Wind-Blows-Pt-2.mp3
The-Wind-Blows-Pt-2.mp4

The-Wind-Blows-Animation-1.mp4
The-Wind-Blows-Animation-2.mp4
The-Wind-Blows-intro.mp3

[Intro]
Depending on which way…
(The wind blows)
As they say
(In the eye of the storm)

[Verse 1]
Dorthy,
Come home
(You shouldn’t be out alone)
… and Toto, too

[Bridge]

[Chorus]
Depending on which way…
(The wind blows)
As they say
(In the eye of the storm)

[Bridge]
The new norm
(Ride, baby, ride)
’cause there ain’t no place to hide
(Ride, baby, ride)

[Verse 2]
Dorthy,
You were in a dream
(Were you worthy of the scene)
… and Toto, too?

[Bridge]
Well, were you
(Are you, too?)

[Chorus]
Depending on which way…
(The wind blows)
On our way
(In the eye of the storm)

[Outro]
Sound the alarm
(Ride, baby, ride)
To avoid harm:
(Ride, baby, ride)
’cause there ain’t no place to hide
(Ride, baby, ride)
Where will your hide reside
(Your insides out)
You’ll find out what life’s about
(Roll, baby, roll)
No, the bell will not toll
(We’ll roll, baby, roll)
All night long
(Let’s ride to the other side!)
Sing a long:
(Ride, baby, ride)

From the album “Which

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Is It

Is-It.mp3
Is-It.mp4
Is-It-Unplugged-Underground-XXIX.mp3
Is-It-Unplugged-Underground-XXIX.mp4
Is-It-intro.mp3

[Intro]
Which is it?
(Are you coming)
Are you going?
(Are you sure)
… of knowing

[Bridge]
(How ’bout it?)

[Refrain]
Which is it?
(Are you coming)
Are you going?
(Are you sure)
… of knowing

[Bridge]
(How ’bout it?)
Which is it?

[Refrain]
(Are you coming)
Are you going?
(Are you sure)
… of knowing
(Is it day or night)
Can you see the light

[Bridge]
(How ’bout it?)
Which is it?

[Refrain]
(Are you coming)
Are you going?
(Are you sure)
… of knowing
(Is it day or night)
Can you see the light

[Outro]
It will be alright
(Once you see the light)
No fright of night
(Once you see the light)
Don’t be afraid
(Step out of the shade)
And, in to the light
(Into delight)

From the album “Which

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Side of the Fence

Side-of-the-Fence.mp3
Side-of-the-Fence.mp4
Side-of-the-Fence-Unplugged-Underground-XXIX.mp3
Side-of-the-Fence-Unplugged-Underground-XXIX.mp4
Side-of-the-Fence-intro.mp3

[Intro]
Which side of the fence
(Offense or defense)

[Verse]
Do you posses the ball
(Do you hold the cards)
I mean… after all…
(Aggressors or guards)

[Bridge]
Hence
(Whence)
Which side of the fence
(Offense or defense)
On the attack
(Or hold ’em back)

[Verse]
Is the ball in your court
(Are you king of the hill)
Will Hubris thwart
(While standing still)

[Bridge]
Hence
(Whence)
Which side of the fence
(Offense or defense)
On the attack
(Or hold ’em back)

[Outro]
Hence
(From whence)
Do you come from…
(… and home come?)
On which side of the tracks
(Do you live)
One who subtracts
(Or on the side… the inside…)
Living to give

From the album “Which

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Decisions

Decisions-Best-Of.mp3
Decisions-Best-Of.mp4
Decisions.mp3
Decisions.mp4

Decisions-Animation-1.mp4
Decisions-Animation-2.mp4
Decisions-intro.mp3

[Intro]
Decisions
(Decisions. Decisions. Decisions.)

[Verse 1]
Which way to go
(Oh I don’t know)
Which way to head
(Out or to bed)

[Bridge]
Decisions
(Decisions. Decisions. Decisions.)

[Chorus]
Got to make up my mind
(Better sooner than later)
The answers I’ll find
(The power that’s greater)

[Verse 2]
Which way to grow
(Oh I don’t know)
Which way is right
(To see the light)

[Bridge]
Decisions
(Decisions. Decisions. Decisions.)

[Chorus]
Got to make up my mind
(Better sooner than later)
The answers I’ll find
(The power that’s greater)

[Outro]
Decisions made
(Before the lights fade)
I’ve made up my mind
(To be more kind)
I’ve come to agree
(Bring out the best in me)

From the album “Which

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Or Naught

Or-Naught-Best-Of.mp3
Or-Naught-Best-Of.mp4
Or-Naught.mp3
Or-Naught.mp4
Or-Naught-intro.mp3

[Intro]
Which is it?
(She loves me)
(She love me not)
She seems to have forgot

[Bridge]
Is it all for naught

[Refrain]
Which is it?
(She loves me…)
(She love me not)
She seems to have forgot

[Bridge]
Is it all for naught

[Refrain]
Which is it?
(She loves me…)
(She love me not)
She seems to have forgot

[Bridge]
Is it even even
(Or even “that’s odd”… odd)
Is it all for naught
She seems to have forgot

[Refrain]
Which is it?
(She loves me…)
(She love me not)
She seems to have forgot

[Outro]
Is it even even
(Or even “that’s odd”… odd)
Is it all for naught
(She seems to have forgot)
Is it night or day
(I dunno, but either way)
She doesn’t recall
(No, not anything at all)
Is it all for naught
(She seems to have forgot)

ABOUT THE SONG

The new release of the day, “Or Naught,” is a rock anthem written by Mother Nature and addressed to humanity—disguised as a conflicted love song. Built around an electric guitar that shifts from quizzical restraint to searing confrontation, the song plays with uncertainty, imbalance, and emotional arithmetic.

The refrain circles the familiar daisy-petal dilemma—“She loves me… she loves me not”—but here it becomes an existential question: whether our relationship with the planet still registers at all. As the lyrics ask “Is it even even… or is it all for naught?” the song blurs love and neglect, care and indifference, night and day, until nothing quite adds up anymore.

What begins as doubt hardens into accusation. Nature isn’t angry so much as exhausted—forgetting not out of malice, but from being pushed too far, too long. The guitar mirrors this arc, moving from hesitation to full-throated protest, underscoring the central question the song never fully resolves: Is this relationship salvageable—or has it all been for naught?

From the album “Which

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Referring To

Referring-To.mp3
Referring-To.mp4
Referring-To-Pt-2.mp3
Referring-To-Pt-2.mp4
Referring-To-intro.mp3

[Intro]
(Attention:)
The notion
Of referring to which
Was previously mentioned
(Is now in motion)

[Bridge]
A reality
(Which we already attended)
An insanity
(Which we intended to be upended)

[Refrain]
(Attention:)
The notion
Of referring to which
Was previously mentioned
(Is now in motion)

[Bridge]
A reality
(Which we already attended)
An insanity
(Which we intended to be upended)

[Refrain]
(Attention:)
The notion
Of referring to which
Was previously mentioned
(Consider the repetition)

[Bridge]
To which prior does aspire
A reality
(Which we already attended)
An insanity
(Which we intended to be upended)

[Outro]
(Attention:)
The notion
Of referring to which
Was previously mentioned
(Under retention)
I mean a meaning
(Which we are gleaning)

From the album “Which

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Confused

Confused.mp3
Confused.mp4
Confused-Pt-2.mp3
Confused-Pt-2.mp4
Confused-intro.mp3

[Intro]
Are you confused
(Not sure…)
If it’s win or lose

[Verse 1]
Which is correct
(A or B)
Don’t wanna neglect
(Can you help me)

[Bridge]
Are you confused
(Not sure…)
If it’s win or lose

[Chorus]
Are you at a loss
(Have you won or have you lost)
Can you tell me more
(Have you found a cure)

[Verse 2]
What’s the answer
(1 or 2)
Help me to concur
(I’m beggin’ you)

[Bridge]
Are you confused
(Not sure…)
If it’s win or lose

[Chorus]
Are you at a loss
(Have you won or have you lost)
Can you tell me more
(Have you found a cure)

[Outro]
Can we endure
(At what cost)
Living pure
(Pride tossed)
Are you confused
(Not sure…)
If it’s win or lose
(Are all answers used)
Oh, oh, oh
(Oh so confused)

From the album “Which

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Guess Which Hand

Guess-Which-Hand-Best-Of.mp3
Guess-Which-Hand-Best-Of.mp4
Guess-Which-Hand.mp3
Guess-Which-Hand.mp4

Guess-Which-Hand-Animation-1.mp4
Guess-Which-Hand-Animation-2.mp4
Guess-Which-Hand-B-intro.mp3
Guess-Which-Hand-intro.mp3

[Intro]
Left or right?
(Hidden out of sight)

[Verse 1]
Which hand
(Hold the bones)
Understand…
(Or moans)

[Bridge]
Left or right?
(Hidden out of sight)

[Chorus]
Can you guess
(The correct choice)
Come, confess
(Raising your voice)

[Verse 2]
Clenched fist
(Hold’s the price)
Can’t resist
(Roll the dice)

[Bridge]
Left or right?
(Hidden out of sight)

[Chorus]
Can you guess
(The correct choice)
Come, confess
(Raising your voice)

[Outro]
Nevertheless
(Come on, guess)
Left or right?
(Hidden out of sight)
Show us the light
(Give us insight)

ABOUT THE SONG
This game is most commonly known as
Guess Which Hand. It is a simple game of chance where one player hides a small item in one of their fists and the other player must choose which hand contains the object.

How to Play
1. Hide the Object: One player puts their hands behind their back and places a small object—like a coin, marble, or candy—into one of their hands.
2. The Reveal: The hider brings both closed fists forward and holds them out to the guesser.
3. The Guess: The second player points to or taps the hand they believe holds the item.
4. The Result: The hider opens the selected hand to reveal if the guess was correct.

Cultural Variations
* Handgame (Stickgame): A traditional Native American guessing game where teams use singing, drumming, and elaborate hand movements to distract the guesser while hiding marked “bones” in their hands.
* Odds and Evens: A similar concept where a player hides a number of small items (like coins) in their hand, and the opponent guesses if the total count is odd or even.
From the album “Which

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