Dehumanizing Rhetoric

[Intro]
USA! USA! USA, say:
(Subhuman)
Say it again!
(Subhuman)
Say it again!

[Instrumental, Synth, Organ, Guitar, Bass, Drum Fills]

[Verse 1]
The animal
Let us kill
Those ape
Just wanna rape

[Bridge]
USA! USA! USA, say:
(Subhuman)
Say it again!
(Subhuman)
Say it again!

[Chorus]
Fostering hatred (Denying love)
Justifying violence (Then remain in silence)
Trampling what’s sacred (Once was love)
Crown jewel is cruelty (Tragically)

[Bridge]
Dehumanizing rhetoric
(Sick, sick, sick)

[Break]
Turn up the music!
(Quick, quick, quick)

[Verse 2]
Animal invasion
Crossing my border
Lethal persuasion
Upon my order

[Bridge]
USA! USA! USA, say:
(Subhuman)
Say it again!
(Subhuman)
Say it again!

[Chorus]
Fostering hatred (Denying love)
Justifying violence (Then remain in silence)
Trampling what’s sacred (Once was love)
Crown jewel is cruelty (Tragically)

[Bridge]
Dehumanizing rhetoric
(Sick, sick, sick)

[Break]
Turn up the music!
(Quick, quick, quick)

[Bridge]
[Instrumental, Applause, Crowd Screams, Whistles]
USA! USA! USA, say:
(Subhuman)
Say it again!
(Subhuman)
Say it again!

[Chorus]
Fostering hatred (Denying love)
Justifying violence (Then remain in silence)
Trampling what’s sacred (Once was love)
Crown jewel is cruelty (Tragically)

[Bridge]
[Instrumental, Organ Solo]
Dehumanizing rhetoric
(Sick, sick, sick)

[Outro]
Turn up the music!
(Quick, quick, quick)

ABOUT THE SONG
The parallels between far-right movements in the United States and Israel often revolve around shared ideologies regarding nationalism, militarism, and resistance to pluralism or inclusive political solutions, such as a two-state resolution in the Israeli-Palestinian conflict. Here are the connections:

3. Dehumanizing Rhetoric

  • Dehumanizing language, such as referring to Arabs as “animals” or “subhuman,” is a characteristic shared by extreme factions. Such language has been condemned internationally for fostering hatred and justifying violence. Leaders in both far-right movements have used rhetoric that frames Palestinians and Arabs as existential threats, often downplaying civilian casualties in military actions.

From the album “The Rise of Public Sadism and Cruelty” by The End

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