#4 Deliberate Infliction of Pain

[Intro]
What pleasure do you gain
By the deliberate infliction of pain

[Verse 1]
Withholding medication
(Is one sick infliction)
As is starvation
(What in all God’s creation?)

[Chorus]
What pleasure do you gain
(By the deliberate infliction of pain)
The bombing of babies
(Are you stricken with rabies)

[Bridge]
Cherish watching
Humanitarian aid (Fade)
Loving the scorching
(Of Earth’s births)

[Verse 2]
Amputation
(Once again withholding medication)
You must concede
(You love watching them bleed)

[Chorus]
What pleasure do you gain
(By the deliberate infliction of pain)
The bombing of babies
(Are you stricken with rabies)

[Bridge]
[Instrumental, Guitar Solo]
Cherish watching
Humanitarian aid (Fade)
Loving the scorching
(Of Earth’s births)

[Chorus]
What pleasure do you gain
(By the deliberate infliction of pain)
The bombing of babies
(Are you stricken with rabies)

[Instrumental, Guitar Solo]

[Outro]
What pleasure do you gain
(Inflicting pain)

ABOUT THE SONG
The parallels between far-right movements in the United States and Israel often revolve around shared ideologies regarding nationalism, militarism, and resistance to pluralism or inclusive political solutions, such as a two-state resolution in the Israeli-Palestinian conflict. Here are the connections:

4. Deliberate Infliction of Pain

  • Far-right movements in both countries have been criticized for policies that appear to prolong suffering, such as withholding critical resources. For example:
    • Bombing Civilian Areas: Disregard for civilian casualties, including children, during military operations, has been a hallmark of critiques against Israeli far-right policies. Similar rhetoric in the U.S. far-right justifies collateral damage in conflicts by portraying it as necessary for national security.
    • Withholding Pain Medication and Food Supplies: Policies restricting medical and humanitarian aid to Gaza, for instance, have drawn international condemnation, with critics likening them to collective punishment.

From the album “The Rise of Public Sadism and Cruelty” by The End

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