A Little Louder

Excuse us
Could you increase the decibels?

[Verse 1]
I don’t mean to be rude
Display a piss-poor attitude
No, don’t want to be extreme
Nor mean
[Break]
But,
If I could interrupt…

[Chorus]
We could consume
Some volume
Make a committal
To turn the volume up…
A little louder (by the hour)

[Bridge]
[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
I don’t mind me asking
As I stand here blasting
No, don’t want to disrupt
Nor be abrupt
[Break]
But,
If I could interrupt…

[Chorus]
We could consume
Some volume
Make a committal
To turn the volume up…
A little louder (by the hour)

{instrumental, Saxophone Solo, Piano]

[Outro]
To turn the volume up…
A little louder by the hour

From the album “For the Fun of It” by The Beatless Sense Mongers

MegaEpix Enormous

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Going Underwater

[Intro]
Coming wonder
Going under
Coming wonder

[Instrumental, Synthesizers, Sub-bass]

[Verse 1]
1, 2, 3
Under the sea
Go
Into the flow

[Bridge}
Can’t wait (to participate)
Oh, weightlessness
In bliss

[Chorus]
Underwater
Wetter
All the better
Underwater
Float
Remote

[Instrumental, Saxophone Solo, Piano]

[Verse 2]
One knows
Breath out through mouth and nose
Don’t begin
To breathe in

[Bridge]
Can’t wait (to participate)
Oh, weightlessness
In bliss

[Chorus]
Underwater
Wetter
All the better
Underwater
Float
Remote

[Instrumental, Piano]

[Outro}
Oh, weightlessness
The bliss is….

From the album “For the Fun of It” by The Beatless Sense Mongers

MegaEpix Enormous

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Flyin’ Blue Sky

[Verse 1]
We’re on our way
Today’s a good day
To believe
Of the Age of the Eve

[Chorus]
Flyin’ high (so high)
Not a cloud nearby
Flyin’ blue sky
Flyin’ high (so high)

[Bridge]
Do you want to try
To touch the other-side
We’re so nearby
On the ride
Why not try?

[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
All’s A-O.K.
Today’s a great day
To conceive (on the verge)
Of the Age of the Eve

[Bridge]
Do you want to try
To touch the other-side
We’re so nearby
On the ride
Why not try?

[Instrumental, Saxophone Solo, Bass]

[Chorus]
Flyin’ high (so high)
Not a cloud nearby
Flyin’ blue sky
Flyin’ high (so high)

[Outro]
Flyin’ high (so high)
Not a cloud nearby
Flyin’ blue sky
Flyin’ high (so high)

From the album “For the Fun of It” by The Beatless Sense Mongers

MegaEpix Enormous

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Holiday Weekend

[Intro]
I call shotgun!
You’d better run

[Instrumental, Synthesizers, Car Engine, Bass]

[Verse 1]
It’s been too long
Since a long weekend
Going to be gone (Gone, gone, gone)
And it won’t be long (Long, gone, long gone)

[Chorus]
Holiday play
We’re on our way
What can I say
It’s time to play
[Break]
Music
Make it quick
Make it thick
[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
Maybe a road-trip?
Been long for a bit
Or stay-cation
Relaxation

[Chorus]
Holiday play
We’re on our way
What can I say
It’s time to play
[Break]
Music
Make it quick
Make it thick
[Instrumental, Saxophone Solo, Drum Fills]

[Outro]
You know why
You can say goodbye
Bye, bye

From the album “For the Fun of It” by The Beatless Sense Mongers

MegaEpix Enormous

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This Topic is Heavy (Is There Gravity in Me?)

Man, that’s heavy
What a levy
On the brain… gain.

[Verse 1]
Is the gravity underground
Holding me down
I’d sure like to know
Where it’s found
[Bridge]
Guess I’ll take a look around
[Instrumental, Guitar Solo, Drum Fills]

[Chorus]
This topic is heavy
Levity in brevity
Breaks the levy
The force sets the course
[Bridge]
Of course,
Whose mass will pass?
Sing: Wild thing
You move me
Gravity
[Instrumental, Saxophone Solo, Bass]

[Verse 2]
Is the gravity within me?
It’s just so hard to see
But it’s holding me down
From flying unbound
[Bridge]
Guess I’ll look at my insides
To see where it resides

[Instrumental, Guitar Solo, Drum Fills]

[Chorus]
This topic is heavy
Levity in brevity
Breaks the levy
The force sets the course
[Bridge]
Of course,
Whose mass will pass?
Sing: Wild thing
You move me
Gravity
[Instrumental, Piano, Bass]

The force sets the course

A SCIENCE NOTE
Gravity acts on all objects, regardless of whether they are on the surface of the Earth, above it, or underground. The gravitational force that you feel pulling you down is primarily due to the mass of the Earth beneath your feet. Here’s a detailed explanation of how gravity works in this context:

Gravity on the Earth’s Surface

  1. Source of Gravity: Gravity is the force that attracts objects toward the center of the Earth. This force is due to the mass of the Earth. According to Newton’s law of universal gravitation, the gravitational force between two masses is directly proportional to the product of their masses and inversely proportional to the square of the distance between their centers.
  2. Feeling of Weight: The force of gravity acting on your body gives you weight. This force pulls you toward the center of the Earth, and the ground provides an equal and opposite force (normal force) that prevents you from falling through it.

Gravity Underground

  1. Gravitational Force Below the Surface:
    • Inside a Uniform Sphere: If you were inside a uniform sphere (a simplification of the Earth), the gravitational force you feel would be proportional to your distance from the center of the sphere. This means that as you go deeper underground, the gravitational force would decrease linearly with depth.
    • Real Earth Conditions: The Earth is not a uniform sphere; its density varies with depth. However, the principle remains that the gravitational force inside the Earth is due to the mass of the Earth that is at a greater depth than your position. The gravitational force decreases as you go deeper because less mass is beneath you to exert a downward pull.
  2. Net Gravitational Force: When underground, the net gravitational force acting on you is still directed toward the center of the Earth. The mass above you exerts an upward pull, but it is less than the downward pull from the mass beneath you.

Summary

  • Surface Gravity: The gravity you feel on the surface is due to the entire mass of the Earth pulling you toward its center.
  • Underground Gravity: As you go underground, the gravitational force decreases because the amount of mass beneath you decreases. However, gravity still acts to pull you toward the center of the Earth.
  • Normal Force: Whether on the surface or underground, the ground provides a normal force that balances the gravitational force, preventing you from falling.

In conclusion, gravity is not specifically “holding you down” from underground, but rather, it is the Earth’s mass as a whole that exerts a gravitational force on you, keeping you grounded. The concept of gravity applies universally, and the force is always directed toward the center of the Earth, regardless of whether you are on the surface or below it.

Is there gravity in me?
Yes, there is gravity within you! All objects with mass exert a gravitational force, and this includes every part of your body. Here’s a detailed explanation of how gravity works within you:

Gravitational Force and Mass

  1. Newton’s Law of Universal Gravitation: This law states that every point mass attracts every other point mass by a force acting along the line intersecting both points. The formula for this gravitational force (F) between two masses (m1 and m2) separated by a distance (r) is:

F=Gm1m2r2

where G is the gravitational constant.

  1. Gravitational Force Within Your Body: Every part of your body has mass, and thus every part exerts a gravitational force on every other part. For example, your head exerts a gravitational pull on your feet, and your feet exert a gravitational pull on your head.

Magnitude of Internal Gravitational Forces

  1. Very Small Forces: The gravitational forces within your body are incredibly small because the masses involved (the mass of your body parts) and the distances (within the scale of a human body) are relatively tiny compared to the mass and distance scales where gravitational forces are typically noticeable, such as those involving planets and stars.
  2. Example Calculation: To give you a sense of scale, consider two parts of your body, each weighing 1 kilogram and separated by 1 meter. The gravitational force between them would be calculated as follows:

F=G(1 kg)(1 kg)(1 m)2

Given G≈6.674×10−11 N m2/kg2, the force F would be:

F≈6.674×10−11 N

This force is extremely small and negligible in everyday life.

Importance of Internal Gravitational Forces

  1. Insignificance in Biological Context: The gravitational forces within your body are far weaker than other forces at play, such as the electromagnetic forces that hold your cells and molecules together. These internal gravitational forces do not play a significant role in the biological or mechanical functions of your body.
  2. Overall Gravity Experience: The dominant gravitational force you experience is from the Earth’s gravity, which pulls you toward its center with a force that gives you weight. The gravitational interactions within your body are insignificant compared to this.

Summary

  • Gravity in You: Yes, every part of your body exerts gravitational forces on every other part.
  • Magnitude: These forces are extremely small and negligible compared to other forces within your body.
  • Dominant Force: The gravitational force you notice and experience in daily life is primarily due to the Earth’s gravity, not the internal gravitational forces within your body.

In conclusion, while gravitational forces exist between all masses, including the parts of your body, they are so small that they do not have any noticeable impact on your daily life or biological functions. The primary gravitational force you feel is from the Earth itself.

From the album “Days” by Daniel

MegaEpix Enormous

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Absorption and Reflection

[Intro]
3, 2, 1
Reflecting on absorbing
Absorbing reflections
Redirections

[Instrumental, Piano, Upright Bass]

[Verse 1]
Reflecting back to my eye
I see what you bring to me
Sunlight out of the sky
In colors of reality

[Chorus]
The Earth absorbing
Waves of energy
With hues bouncing
Freely
Creating true beauty
(Until Man’s activities
Ruin our festivities)

[Bridge]
Reflecting on absorbing
Absorbing reflections
Redirections

[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
Reflecting back to I
The vibrance brought to me
Sunlight out of the sky
In colors of reality

[Chorus]
The Earth absorbing
Waves of energy
With hues bouncing
Freely
Creating true beauty
(Until Man’s activities
Ruin our festivities)

[Bridge]
Reflecting on absorbing
Absorbing reflections
Redirections

[Instrumental, Saxophone Solo, Piano]

[Break]
Absorb infrared radiation
Trapped by damnation
A primate change creation
Wave hello to heat
Infrared beat

[Chorus]
The Earth absorbing
Waves of energy
With hues bouncing
Freely
Creating true beauty
(Until Man’s activities
Ruin our festivities)

[Outro]
Reflecting on absorbing
Absorbing reflections
Redirections

A SCIENCE NOTE
Sunlight interacts with Earth’s atmosphere and surface in ways that create colors and influence global warming. Here’s a detailed look at how these processes work:

Absorption and Reflection of Sunlight

  1. Absorption:
    • Mechanism: When sunlight (composed of various wavelengths of light) hits an object, certain wavelengths are absorbed by the object’s molecules. The absorbed light energy is then converted into heat.
    • Impact on Global Warming: Darker surfaces, such as asphalt and oceans, absorb more sunlight and convert it to heat, contributing to the warming of the Earth’s surface and atmosphere. This increases the overall temperature, contributing to global warming.
  2. Reflection:
    • Mechanism: Some surfaces reflect sunlight rather than absorb it. The proportion of light that is reflected by a surface is known as its albedo. Light-colored surfaces, like snow and ice, have high albedo and reflect most of the sunlight.
    • Impact on Global Warming: Surfaces with high albedo reflect more sunlight back into space, which helps cool the Earth. As ice and snow melt due to global warming, the Earth’s albedo decreases, leading to more absorption of sunlight and further warming, creating a feedback loop.

Creation of Colors

  1. Reflection of Specific Wavelengths:
    • Mechanism: Objects appear colored because they reflect specific wavelengths of light. For example, a red apple appears red because its surface reflects red wavelengths and absorbs other wavelengths.
    • Role of Pigments: The color we perceive is determined by the pigments in the material, which selectively absorb and reflect different wavelengths of light.
  2. Scattering of Light:
    • Mechanism: When sunlight passes through the Earth’s atmosphere, it interacts with air molecules and particles, scattering light in all directions. Shorter wavelengths (blue and violet) are scattered more than longer wavelengths (red and yellow), which is why the sky appears blue.
    • Rayleigh Scattering: This is the specific scattering of light by particles much smaller than the wavelength of light, predominantly affecting shorter wavelengths.

Interaction with Greenhouse Gases

  1. Absorption by Greenhouse Gases:
    • Mechanism: Greenhouse gases, such as carbon dioxide, methane, and water vapor, absorb infrared radiation (heat) emitted by the Earth’s surface. This absorbed energy is then re-radiated in all directions, including back toward the Earth’s surface.
    • Impact on Global Warming: This process traps heat in the Earth’s atmosphere, leading to an overall warming effect known as the greenhouse effect.
  2. Emissions from Human Activities:
    • Mechanism: Burning fossil fuels, deforestation, and industrial processes release greenhouse gases into the atmosphere, increasing the concentration of these gases.
    • Impact on Global Warming: Higher concentrations of greenhouse gases enhance the greenhouse effect, leading to more heat being trapped and a rise in global temperatures.

Summary

  • Absorption and Reflection: Sunlight is absorbed or reflected by different surfaces, influencing both temperature and perceived color. Darker surfaces absorb more light and heat, contributing to global warming, while lighter surfaces reflect more light, helping to cool the Earth.
  • Creation of Colors: Colors are produced by the reflection of specific wavelengths of light and the scattering of light in the atmosphere.
  • Greenhouse Effect: Greenhouse gases absorb and re-radiate infrared radiation, trapping heat in the atmosphere and contributing to global warming.

Understanding these processes helps explain how the Earth’s energy balance is maintained and how human activities are altering this balance, leading to climate change.

From the album “Days” by Daniel

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

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Dead in the Middle?

[Intro]
(knock, knock}
Knock on would

[Instrumental, Guitar, Drum Fills]

[Verse 1]
So, here’s a riddle
Are you dead in the middle
Can’t get your heart
To start

It’s easy to see
You’re not a tree
Try to get your heart
To take part

[Chorus]
Then you can feel
For real
And can grow
To know
[Bridge]
Come on
Let’s give ‘er a go!

[Instrumental, Saxophone Solo, Bass]

[Verse 2]
Why not show what’s inside
What have you got to hide
Let’s take it for a ride

Begin to let what’s in
And about to get out
Permeate
Your state

[Chorus]
Then you can feel
For real
And can grow
To know
[Bridge]
Come on
Let’s give ‘er a go!

[Instrumental, Guitar Solo, Bass]

[Bridge]
Are you dead in the middle?
Why make it a riddle
Count the rings
Your years bring
Does the heart still sing?

[Chorus]
Then you can feel
For real
And can grow
To know
[Outro]
Come on
Let’s give ‘er a go!

A SCIENCE NOTE
In most mature trees, the inner part of the tree, known as the heartwood, is dead, while the outer layers, including the sapwood, cambium, and bark, are alive. Here’s a detailed explanation of these different parts of a tree and their functions:

Parts of a Tree

  1. Heartwood:
    • Location: The central, innermost part of the tree.
    • Characteristics: Composed of older, dead xylem cells. It is typically darker in color and denser than the outer layers.
    • Function: Provides structural support to the tree. Even though it is dead, it plays a crucial role in maintaining the tree’s stability.
  2. Sapwood:
    • Location: Surrounding the heartwood, just inside the cambium layer.
    • Characteristics: Made up of younger xylem cells that are still alive. It is lighter in color compared to the heartwood.
    • Function: Conducts water and nutrients from the roots to the rest of the tree. The sapwood is essential for the tree’s growth and survival.
  3. Cambium:
    • Location: A thin layer of living cells between the sapwood and the inner bark.
    • Characteristics: It is a very narrow layer but crucial for growth.
    • Function: Produces new xylem cells (which become part of the sapwood) and new phloem cells (which become part of the inner bark). This layer is responsible for the tree’s secondary growth, increasing the tree’s girth.
  4. Phloem (Inner Bark):
    • Location: Just outside the cambium layer, beneath the outer bark.
    • Characteristics: Composed of living cells that transport nutrients produced by photosynthesis (mainly sugars) from the leaves to the rest of the tree.
    • Function: Essential for distributing the energy necessary for growth and maintenance of the tree.
  5. Outer Bark:
    • Location: The outermost layer of the tree.
    • Characteristics: Made up of dead cells that provide protection.
    • Function: Shields the tree from physical damage, disease, and extreme weather conditions.

Understanding Tree Growth

  • Growth Rings: Each year, the cambium produces new layers of xylem (adding to the sapwood) and phloem. Over time, the inner layers of sapwood become heartwood as they die and are filled with resins and other substances that make them more rigid and resistant to decay.
  • Active Growth Areas: Only the cambium, phloem, and the outermost layers of sapwood are involved in the active growth and nutrient transport processes. The heartwood, although dead, provides crucial structural support to the tree.

In summary, while the central heartwood of a mature tree is dead and provides structural support, the outer layers, including the sapwood, cambium, and phloem, are alive and perform vital functions necessary for the tree’s growth and survival.

From the album “Days” by Daniel

MegaEpix Enormous

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Rings True

(knock, knock)
Knock on wood

[Verse 1]
Earlywood would
Start me thinking
How life could
Quicken to thicken

[Chorus]
Tracking my runs around the sun
With what the trees have done
The rings around the trees
And the years I squeeze

[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
Latewood could
Come a little early this year
Got so dry
It’s hard to try
(Hope I don’t die)

[Chorus]
Tracking my runs around the sun
With what the trees have done
The rings around the trees
And the years I squeeze

[Instrumental, Saxophone Solo, Piano]

[Bridge]
Seasonal changes
Rearranges
Growth is alive
I shall survive
Then, once again
Dormancy sets in

[Chorus]
Tracking my runs around the sun
With what the trees have done
The rings around the trees
And the years I squeeze

[Instrumental, Piano]

[Outro]
You would know wood now

A SCIENCE NOTE
Tree rings, also known as growth rings, are formed by the annual growth of trees. Each ring typically represents one year of growth, and they are a result of the tree’s response to seasonal changes in climate. Here’s a detailed explanation of how they are formed:

Structure of Tree Rings

  1. Spring (Earlywood) Growth:
    • In the spring, conditions are usually favorable for growth with plenty of water and nutrients.
    • The tree grows rapidly, producing large, thin-walled cells known as earlywood (or springwood). These cells have a larger diameter and are lighter in color.
    • This rapid growth allows for efficient transport of water and nutrients.
  2. Summer (Latewood) Growth:
    • As the season progresses into summer and sometimes early autumn, growth slows down due to less favorable conditions, such as reduced water availability.
    • The tree produces smaller, thicker-walled cells called latewood (or summerwood). These cells are denser and darker in color.
    • Latewood adds strength to the tree.
  3. Dormancy:
    • During winter, growth typically stops due to low temperatures and dormancy sets in. No new cells are produced during this period.

Formation Process

  • Annual Cycle: This cycle of producing earlywood in the spring and latewood in the summer creates a distinct boundary between the two types of wood. The contrast between the lighter earlywood and the darker latewood forms a visible ring.
  • Environmental Influence: The width and characteristics of each ring can be influenced by environmental conditions. Favorable growing conditions (adequate water, nutrients, and favorable temperatures) will result in wider rings, while poor conditions (drought, lack of nutrients, extreme temperatures) will result in narrower rings.
  • Historical Record: The pattern of tree rings can be used to study past climatic conditions, a field known as dendrochronology. By analyzing tree rings, scientists can infer historical climate patterns, such as periods of drought or unusually wet years.

Special Cases

  • False Rings: Sometimes, a tree can produce what appears to be multiple rings in a single year due to unusual weather conditions. These are known as false rings.
  • Tropical Trees: In tropical regions where there is less variation in seasons, trees may not produce distinct annual rings. Growth rings in these trees can be influenced by other factors such as changes in rainfall patterns.

Tree rings are formed by the seasonal variation in growth conditions, with distinct layers of earlywood and latewood created each year. These rings provide valuable information about the tree’s age and the environmental conditions it has experienced throughout its life.

From the album “Days” by Daniel

MegaEpix Enormous

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Dense Forest

[Verse 1]
Lost in the dense forest
Of my mind
Not even trying to find
My way back
[Bridge]
In fact
Explore some more

[Chorus]
A green scene
And smells so lush
A real dream
Flush in the brush

[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
No sense of direction
No human detection
Flora and fauna
Woulds in the woods
I’m gonna
Go
[Bridge]
You know
Explore some more

[Chorus]
A green scene
And smells so lush
A real dream
Flush in the brush

[Instrumental, Saxophone Solo, Piano]

[Bridge]
Mental
Transcendental
Transcending
Ascending
Free to flow
Free to know

[Chorus]
A green scene
And smells so lush
A real dream
Flush in the brush

[Instrumental, Piano, Bass]

[Outro]
I find…
Lost in the dense forest
Of my mind

From the album “Days” by Daniel

MegaEpix Enormous

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Cease Fire

Halt! Parada, nada
Stop the killing in Gaza

[Verse 1]
Israel puts in peril
Women and children
Again and again
Zionist persist
Killing civilians
Again and again
It’s quite chilling

[Chorus]
Halt! Parada, nada
Stop the killing in Gaza
An infanticide crime
No reason or rhyme
[Bridge]
On a genocide ride

[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
Israel out-of-control
Innocence indifference
Bomb the schools
Right-wing fools
Kill, kill, kill
And still they will

[Chorus]
Halt! Parada, nada
Stop the killing in Gaza
An infanticide crime
No reason or rhyme
[Bridge]
On a genocide ride

[Instrumental, Saxophone Solo, Bass]

[Bridge]
Why not stop?
Watching children drop
Losing limbs
Oh, so grim
Outlook: dim
Irate at the state

[Chorus]
Halt! Parada, nada
Stop the killing in Gaza
An infanticide crime
No reason or rhyme
[Bridge]
On a genocide ride

[Instrumental, Piano]

[Outro]
Oh, so grim
Outlook: dim
Irate at the state

A NOTE ON WAR

May 24, 2024 — “Top UN Court Orders Israel to Halt Military Offensive in Rafah; Israel is Unlikely to Comply”

The top United Nations court ordered Israel on Friday to immediately halt its military offensive in the southern Gaza city of Rafah but stopped short of mandating a full cease-fire for the enclave. While Israel is unlikely to comply with the order, this decision will significantly increase pressure on the increasingly isolated country.

Criticism of Israel’s conduct in the war in Gaza has been intensifying, especially with its recent focus on Rafah. This week alone, three European countries announced their recognition of a Palestinian state, and the chief prosecutor for another international court has requested arrest warrants for Israeli leaders, as well as Hamas officials.

Expanded Context

International Reaction: The international community’s reaction to Israel’s actions in Rafah has been largely negative. The recognition of a Palestinian state by three European countries signals a growing shift in diplomatic stances. This move may encourage other nations to follow suit, further isolating Israel diplomatically.

Legal Implications: The request for arrest warrants by the chief prosecutor for another international court underscores the severity with which international legal bodies view the actions of both Israeli leaders and Hamas officials. This development could lead to increased legal scrutiny and potential sanctions.

Historical Significance: This order from the UN court represents a significant moment in international law and diplomacy. It highlights the ongoing tensions and the complex geopolitical dynamics in the region. The order, while unlikely to be heeded, sets a legal precedent and adds to the historical narrative of the Israeli-Palestinian conflict.

Impact on Gaza: The humanitarian situation in Gaza, particularly in Rafah, continues to deteriorate. The ongoing military offensive has resulted in significant casualties and displacement, exacerbating an already dire situation for civilians in the region.

By highlighting the international legal and diplomatic reactions, this expanded context provides a deeper understanding of the significance and implications of the UN court’s order.

From the album “Days” by Daniel

MegaEpix Enormous

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Aquatic Ape

[Verse 1]
I wonder if I am
An aquatic ape
I love to swim
To stay in shape

[Chorus]
Aquatic mammals
The nose knows
Swimming in the channels
Where the water flows

[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
Since I’ve lost my hair
It’s hard to compare
Don’t hold your breath
And find your death

[Chorus]
Aquatic mammals
The nose knows
Swimming in the channels
Where the water flows

[Instrumental, Saxophone Solo, Bass]

[Bridge]
Hairlessness
Awareness
Bipedalism
Try it, I am
Gonna swim
On the whim

[Chorus]
Aquatic mammals
The nose knows
Swimming in the channels
Where the water flows

[Instrumental, Piano, Bass]

[Outro]
Try it, I am
Gonna swim
On the whim

A SCIENCE NOTE
The Aquatic Ape Theory (AAT), also known as the Aquatic Ape Hypothesis (AAH), is a controversial and largely unsupported idea in anthropology and evolutionary biology. It proposes that some of the unique features of human evolution can be explained by a period during which our ancestors lived in a semi-aquatic environment. Here are the key points of the theory:

Origins of the Theory

  • Proponent: The theory was first proposed by marine biologist Alister Hardy in 1960 and later popularized by writer Elaine Morgan in a series of books starting in the 1970s.
  • Main Idea: AAT suggests that some of the distinctive characteristics of humans, such as bipedalism, hairlessness, and subcutaneous fat, evolved because our ancestors spent a significant amount of time in water.

Key Arguments and Features

  1. Bipedalism:
    • AAT Claim: Walking on two legs would be advantageous for wading through water, freeing the hands for other tasks.
    • Counterargument: Most anthropologists believe that bipedalism evolved on the savanna for efficient locomotion and energy conservation.
  2. Hairlessness:
    • AAT Claim: Losing body hair would help in reducing drag while swimming and facilitate better thermoregulation in an aquatic environment.
    • Counterargument: Hairlessness can also be explained by the need for better cooling mechanisms in hot savanna climates and the use of clothing.
  3. Subcutaneous Fat:
    • AAT Claim: Humans have a higher proportion of subcutaneous fat compared to other primates, similar to aquatic mammals, which helps with buoyancy and insulation in water.
    • Counterargument: Subcutaneous fat can also be an adaptation for energy storage and thermoregulation in various environments.
  4. Breath Control:
    • AAT Claim: Humans have an exceptional ability to control breathing, which could have evolved for diving and swimming.
    • Counterargument: Breath control is also important for vocalization and communication, suggesting it could have evolved for reasons other than aquatic life.
  5. Nasal Features:
    • AAT Claim: The downward-facing nostrils and the ability to close off the nasal passages are similar to aquatic mammals, helping to prevent water from entering the nose.
    • Counterargument: These features can be explained by other environmental pressures and are not necessarily indicative of an aquatic phase.

Criticisms and Current Consensus

  • Lack of Evidence: The majority of anthropologists and evolutionary biologists reject AAT due to the lack of direct fossil evidence supporting a semi-aquatic phase in human evolution.
  • Alternative Explanations: Most of the traits cited by AAT proponents can be explained by other well-supported theories related to terrestrial adaptation, social behavior, and environmental changes on the savanna.
  • Scientific Acceptance: AAT remains a fringe hypothesis with little support in the scientific community. Mainstream researchers prefer explanations that are backed by fossil records, comparative anatomy, and genetics.

Conclusion

The Aquatic Ape Theory presents an interesting perspective on human evolution, suggesting a period of adaptation to a semi-aquatic environment. However, it lacks substantial evidence and is not widely accepted among scientists. Most of the traits used to support AAT have more plausible explanations related to life on land, making AAT an intriguing but largely speculative hypothesis.

From the album “Days” by Daniel

MegaEpix Enormous

Posted in 4D Music, Daniel, lyrics, MegaEpix Enormous, Narley Marley | Tagged , , | Comments closed

Into the Water

[Verse 1]
Today’s the first day
Of the season
Giving reason
For aquatic play

[Chorus]
I’m diving in
For a swim
I’ve got the urge
To submerge

[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
I’m on my way
Into the water
A beautiful day
Can’t get much hotter

[Chorus]
I’m diving in
For a swim
I’ve got the urge
To submerge

[Instrumental, Saxophone Solo, Bass]

[Bridge]
Learned from mother and father
Passed to son and daughter
Evolution
Adaptation
The arrival of survival

[Chorus]
I’m diving in
For a swim
I’ve got the urge
To submerge

[Instrumental, Piano]

[Outro]
Learned from mother and father
Passed to son and daughter

A SCIENCE NOTE
The history of humans learning to swim is ancient and intertwined with our evolution and adaptation to diverse environments. While specific details about the first humans to learn to swim are not documented, several points can be inferred based on archaeological findings, historical records, and anthropological studies.

Prehistoric and Ancient Evidence

  1. Natural Instincts and Survival:
    • Early humans likely learned to swim out of necessity for survival, such as crossing rivers, fishing, or escaping predators.
    • Children and adults living near water bodies would naturally experiment with floating and swimming, driven by curiosity and the need for resources.
  2. Archaeological Finds:
    • Cave paintings and ancient artifacts provide some of the earliest evidence of swimming. For example, depictions of swimmers have been found in the Cave of Swimmers in the Libyan Desert, estimated to be around 10,000 years old.
    • These paintings suggest that swimming was a known activity in prehistoric societies.

Historical Records

  1. Ancient Civilizations:
    • Ancient Egyptians are known to have engaged in swimming, as evidenced by tomb paintings dating back to 2500 BCE showing swimmers.
    • The Greeks and Romans also practiced swimming, with it being an essential part of education and military training. The Greeks had swimming races, and the Romans built public baths with swimming pools.
  2. Literature and Texts:
    • References to swimming can be found in ancient texts. For example, in Homer’s “The Odyssey,” Odysseus swims to safety after his ship is wrecked.
    • Roman poet Virgil also mentions swimming in his epic “The Aeneid.”

Cultural Practices

  1. Indigenous Practices:
    • Many indigenous cultures around the world have a long history of swimming. For instance, the Australian Aboriginal people have stories and practices related to swimming that date back thousands of years.
    • Similarly, the Polynesians, known for their seafaring skills, have a rich tradition of swimming and diving.
  2. Training and Competitions:
    • In ancient Greece, swimming was part of the Pentathlon in the Olympic Games, indicating its importance in physical training and competition.
    • Romans also held swimming competitions and integrated swimming into their daily lives through their elaborate bathhouses.

Evolutionary Perspective

  1. Aquatic Ape Hypothesis:
    • One controversial theory, the Aquatic Ape Hypothesis, suggests that human ancestors may have spent a significant amount of time in water, which influenced our ability to swim. This theory posits that traits like bipedalism and subcutaneous fat may have evolved to support an aquatic lifestyle.
  2. Adaptations:
    • Human adaptations such as breath control, buoyancy, and the ability to hold one’s breath longer than other terrestrial animals support the idea that early humans spent time in water and gradually learned to swim.

The ability to swim likely developed gradually as early humans interacted with aquatic environments. Through necessity, experimentation, and cultural practices, swimming became a skill passed down through generations, evidenced by both prehistoric artifacts and ancient texts. While it is impossible to pinpoint the exact moment or individuals who first learned to swim, the cumulative evidence shows that swimming has been an integral part of human activity for thousands of years.

From the album “Days” by Daniel

MegaEpix Enormous

Posted in 4D Music, Daniel, lyrics, MegaEpix Enormous | Tagged , , | Comments closed

New Normal?

(Knew new?)
Or new knew?

[Verse 1]
Surprise?
Rapid rise
Our demise
In our hand lies

[Chorus]
New normal
Everyday
Not normal
In any way

[Bridge]
Searing soaring
Temperatures roaring
Amateurs ignoring
Signs of warning
Quite alarming

[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
Oh no
Here we go
Like we don’t know
It’s our (shh)it show

[Chorus]
New normal
Everyday
Not normal
In any way

[Bridge]
Searing soaring
Temperatures roaring
Amateurs ignoring
Signs of warning
Quite alarming

[Instrumental, Saxophone Solo, Bass]

[Verse 3]
Can’t calculate
The increase in rate
Happens too fast
How can we last?

[Chorus]
New normal
Everyday
Not normal
In any way

[Bridge]
Searing soaring
Temperatures roaring
Amateurs ignoring
Signs of warning
Quite alarming

[Instrumental, Piano]

[Outro]
Signs of warning
Quite alarming

A SCIENCE NOTE
Some areas of the world are now warming so rapidly that it is becoming increasingly challenging to measure changes against historical “normal” or average temperatures. Jeff Boyne, a National Weather Service meteorologist and climatologist, explains, “There are climate normals that are updated every 10 to 15 years, because the planet is warming so fast. The ENSO (El Niño-Southern Oscillation) regions are warming so fast that those normals are being updated every 5 years.”

Understanding Climate Normals

Climate normals are essentially average climate conditions calculated over a standard 30-year period. They provide a baseline to compare current weather patterns and detect anomalies. Traditionally, these normals have been updated every 10 to 15 years. However, due to the accelerated pace of global warming, especially in certain regions, the interval between updates is shortening.

Rapid Warming Regions

  1. Polar Regions: The Arctic and Antarctic regions are warming at approximately twice the global average rate. This rapid change affects sea ice extent, permafrost, and local ecosystems.
  2. ENSO Regions: The El Niño-Southern Oscillation regions in the Pacific Ocean significantly influence global weather patterns. These areas are now experiencing such rapid warming that climate normals need updating every five years to accurately reflect current conditions.
  3. Urban Heat Islands: Cities tend to heat up faster than rural areas due to human activities and the concentration of buildings and infrastructure, necessitating more frequent updates to urban climate normals.

Implications of Rapid Warming

  1. Weather Forecasting and Climate Models: The accelerated warming rates require constant recalibration of weather forecasting models and climate predictions. Accurate climate normals are crucial for predicting weather events and understanding long-term climate trends.
  2. Agriculture and Food Security: Farmers rely on climate normals for planning crop cycles. Rapid changes can disrupt planting schedules, affect crop yields, and increase vulnerability to pests and diseases.
  3. Public Health: Extreme heat events, which are becoming more frequent, pose significant health risks, particularly to vulnerable populations. Updated climate normals help in preparing for and mitigating these risks.
  4. Infrastructure and Urban Planning: Rapid changes in climate normals impact the design and maintenance of infrastructure. Cities need to adapt to increased heat, heavier rainfall, and other extreme weather events to protect residents and maintain functionality.

Adapting to the New Normal

  1. Continuous Monitoring: Enhanced monitoring systems are essential to track changes in real-time and update climate normals more frequently.
  2. Improved Data Collection: Utilizing advanced technologies like satellites, remote sensing, and AI can improve the accuracy and frequency of climate data collection.
  3. Policy and Planning: Governments and organizations must integrate updated climate normals into policy-making and planning processes to build resilient communities.
  4. Public Awareness and Education: Increasing public understanding of the rapid changes in climate and their implications can drive community action and support for climate adaptation measures.

The unprecedented rate of global warming is challenging the traditional methods of measuring and using climate normals. To keep pace with these changes, we must adapt our monitoring, forecasting, and planning approaches, ensuring that they are as dynamic as the climate itself.

From the album “Days” by Daniel

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

Posted in 4D Music, Daniel, lyrics, MegaEpix Enormous | Tagged , , , | Comments closed

10 Degrees Above Normal

It’s going to be a hot one
And we ain’t done

[Verse 1]
Jeez,
Today is ten degrees
Above normal
Hard to keep pace
With the human race

[Chorus]
Rapidly rising rate
Acceleration
Rapidly declining fate
Deterioration

[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
Does the temperature rise
Surprise?
Arise!
Hard to keep pace
With the human race

[Chorus]
Rapidly rising rate
Acceleration
Rapidly declining fate
Deterioration

[Instrumental, Saxophone Solo, Bass]

[Bridge]
Normal no more
Woe, no more normal
At all
Increases day-by-day
what else can I say?
Pray?
Won’t help
Cry? Why?
No yelp will help

[Chorus]
Rapidly rising rate
Acceleration
Rapidly declining fate
Deterioration

[Instrumental, Guitar Solo, Drum Fills]

[Outro]
Normal no more
Woe, no more normal
At all

A SCIENCE NOTE
Some areas of the world are now warming so rapidly that it is becoming increasingly challenging to measure changes against historical “normal” or average temperatures. Jeff Boyne, a National Weather Service meteorologist and climatologist, explains, “There are climate normals that are updated every 10 to 15 years, because the planet is warming so fast. The ENSO (El Niño-Southern Oscillation) regions are warming so fast that those normals are being updated every 5 years.”

The unprecedented rate of global warming is challenging the traditional methods of measuring and using climate normals. To keep pace with these changes, we must adapt our monitoring, forecasting, and planning approaches, ensuring that they are as dynamic as the climate itself.

How fast are humans causing the climate to change? When we started our experiments in the 1990’s, we thought the time scale was in millenniums. If climate change were happening on a linear basis, we would have been correct; however, by the late 90’s we were convinced climate change was non-linear.

Doubling time refers to the duration needed for a quantity to double in size, a characteristic of exponential growth. By 2020, substantial data revealed that the doubling time for certain anthropogenic climate impacts had decreased significantly, shifting from 100 years to merely 10 years. For instance, the rate of sea level rise has surged from approximately 1.5 millimeters per year to over 3 millimeters. This trend suggests that the doubling period is likely to further contract, heightening the prospect of sea levels ascending at a rate of one foot per year by 2050.

Tipping points are Critical Milestones that directly impact the rate of acceleration in climate change by multiplying the number and intensity of feedback loops. Identifying and understanding these tipping points is crucial for climate science and policymaking. Crossing multiple tipping points could lead to a domino effect, resulting in a much more rapid and severe climate change than currently projected.

From the album “Days” by Daniel

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

Posted in 4D Music, Daniel, lyrics, MegaEpix Enormous | Tagged , , , | Comments closed

Wooden I

(hello?)
Knock, knock
On would

[Verse 1]
Wooden I leave(s)
You with an oh! pine
On trees
Such as these

[Bridge]
Unfortunately,
Disease…
Pests and other human activities
The death of trees

[Chorus]
The canopy collapsing
Your memory relapsing
The trouble with the tree
Is “me, me, me”

[Instrumental, Guitar Solo, Drum Fills]

[Verse 2]
This ain’t pulp fiction
This is human direction
Yearn to burn
Never learn

[Bridge]
Unfortunately,
Our damned demand
Responsibility
Forest death, we command

[Chorus]
The canopy collapsing
Your memory relapsing
The trouble with the tree
Is “me, me, me”

[Instrumental, Saxophone Solo, Bass]

[Chorus]
The canopy collapsing
Your memory relapsing
The trouble with the tree
Is “me, me, me”

[Instrumental, Saxophone Solo, Bass]

A SCIENCE NOTE
It would appear that there is a complex chaotic system in play that is resulting in the deforestation of the Earth. Following is an abstract from a study started in 2001 and continuing through the present.

Human activities are contributing to tree mortality and deforestation. Humans have also induced climate change in other ways. The combination of human induced climate change and human induced tree mortality are creating a cycle of exponential chain reactions. A better way to say it might be — the veiled causes of the current tree deaths are an unanticipated result of human activities. This new form of deforestation contributes to more global warming. An increase in global warming and human induced climate change intensifies the rate of tree mortalities.

Our climate model uses chaos theory in an attempt to adequately account for humans and forecasts a global average temperature increase of 9 degrees Celsius above pre-industrial levels. Everybody has the responsibility not to pollute. Stop using fossil fuels. Consume less. Love more.

 

From the album “Days” by Daniel

MegaEpix Enormous

A song about The Human Induced Climate Change Experiment

Posted in 4D Music, chaos theory, Daniel, lyrics, MegaEpix Enormous | Tagged , , , | Comments closed